"Unforgettable ... one of the most instructive and moving books on war and its aftermath that we are likely to see ... its portrayal rivals Saving Private Ryan in its shocking, unvarnished immediacy." -- The New York Times

"The best battle book I ever read. These stories, from the time the six men who raised the flag at Iwo Jima enlisted, their training, and the landing and subsequent struggle, fill me with awe." -- Stephen Ambrose

"A powerful book whose vivid and horrific images do not easily leave the mind ... [Flags of Our Fathers] relates the brutalizing story of Iwo Jima with a fine eye for both the strategic imperative and the telling incident." -- The Boston Globe

The only thing new in the world is the history you don't know.

—HARRY TRUMAN

IN THE SPRING OF 1998, six boys called to me from half a century ago on a distant mountain and I went there. For a few days I set aside my comfortable life—my business concerns, my life in Rye, New York—and made a pilgrimage to the other side of the world, to a primitive flyspeck island in the Pacific. There, waiting for me, was the mountain the boys had climbed in the midst of a terrible battle half a century earlier. One of them was my father. The mountain was called Suribachi; the island, Iwo Jima.

The fate of the late-twentieth and twenty-first centuries was being forged in blood on that island and others like it. The combatants, on either side, were kids—kids who had mostly come of age in cultures that resembled those of the nineteenth century. My young father and his five comrades were typical of these kids. Tired, scared, thirsty, brave; tiny integers in the vast confusion of war-making, trying to do their duty, trying to survive.

But something unusual happened to these six: History turned all its focus, for 1/400th of a second, on them. It froze them in an elegant instant of battle: froze them in a camera lens as they hoisted an American flag on a makeshift pole. Their collective image, blurred and indistinct yet unforgettable, became the most recognized, the most reproduced, in the history of photography. It gave them a kind of immortality—a faceless immortality. The flagraising on Iwo Jima became a symbol of the island, the mountain, the battle; of World War II; of the highest ideals of the nation, of valor incarnate. It became everything except the salvation of the boys who formed it.

For these six, history had a different set of agendas.

Three were killed in action in the continuing battle. Of the three survivors, two were overtaken and eventually destroyed—dead of drink and heartbreak. Only one of them managed to live in peace into an advanced age. He achieved this peace by willing the past into a cave of silence.

My father, John Henry Bradley, returned home to small-town Wisconsin after the war. He shoved the mementos of his immortality into a few cardboard boxes and hid these in a closet. He married his third-grade sweetheart. He opened a funeral home; fathered eight children; joined the PTA, the Lions, the Elks; and shut out any conversation on the topic of raising the flag on Iwo Jima.

When he died in January 1994, in the town of his birth, he might have believed he was taking the unwanted story of his part in the flagraising with him to the grave, where he apparently felt it belonged. He had trained us, as children, to deflect the phone-call requests for media interviews that never diminished over the years. We were to tell the caller that our father was on a fishing trip. But John Bradley never fished. No copy of the famous photograph hung in our house. When we did manage to extract from him a remark about the incident, his responses were short and simple and he quickly changed the subject.

And this is how we Bradley children grew up: happily enough, deeply connected to our peaceful, tree-shaded town, but always with a sense of an unsolved mystery somewhere at the edges of the picture. We sensed that the outside world knew something important about him that we would never know. For him, it was a dead issue; a boring topic. But not for the rest of us. Me, especially.

For me, a middle child among the eight, the mystery was tantalizing. I knew from an early age that my father had been some sort of hero. My third-grade schoolteacher said so; everybody said so. I hungered to know the heroic part of my dad. But try as I might I could never get him to tell me about it.

"The real heroes of Iwo Jima," he said once, coming as close as he ever would, "are the guys who didn't come back."

John Bradley might have succeeded in taking his story to his grave had we not stumbled upon the cardboard boxes a few days after his death.

My mother and brothers Mark and Patrick were searching for my father's will in the apartment he had maintained as his private office. In a dark closet they discovered three heavy cardboard boxes, old but in good shape, stacked on top of each other.

In those boxes my father had saved the many photos and documents that came his way as a flagraiser. All of us were surprised that he had saved anything at all.

Later I rummaged through the boxes. One letter caught my eye. The cancellation indicated it was mailed from Iwo Jima on February 26, 1945. A letter written by my father to his folks just three days after the flagraising.

The carefree, reassuring style of his sentences offers no hint of the hell he had just been through. He managed to sound as though he were on a rugged but enjoyable Boy Scout hike: "I'd give my left arm for a good shower and a clean shave, I have a 6 day beard. Haven't had any soap or water since I hit the beach. I never knew I could go without food, water or sleep for three days but I know now, it can be done."

And then, almost as an aside, he wrote: "You know all about our battle out here. I was with the victorious [Easy Company] who reached the top of Mt. Suribachi first. I had a little to do with raising the American flag and it was the happiest moment of my life."

The "happiest moment" of his life! What a shock to read that. I wept as I realized the flagraising had been a happy moment for him as a twenty-one-year-old. What happened in the intervening years to cause his silence?

Reading my father's letter made the flagraising photo somehow come alive in my imagination. Over the next few weeks I found myself staring at the photo on my office wall, daydreaming. Who were those boys with their hands on that pole? I wondered. Were they like my father? Had they known one another before that moment or were they strangers, united by a common duty? Did they joke with one another? Did they have nicknames? Was the flagraising "the happiest moment" of each of their lives?

Copyright © 2000 by James Bradley and Ron Powers.