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The Burden of Indigo [Short Story Version] [MultiFormat]
eBook by Gene O'Neill

  Regular     Club
You Pay:  $0.65     $0.55

eBook Category: Science Fiction/Horror
eBook Description: After an economic and ecologic collapse, the coastal shields permanently dye and ban their lawbreakers to wander the dangerous wasteland--the reds are the violent criminals, the greens are the thieves, the blues the sex criminals. Each dyed a shade based on his specific crime. The story tracks the inward/outward journey of an indigo man, who believes that his color is beginning to fade after 22 years of carrying his burden.

eBook Publisher: Fictionwise.com, Published: Rod Serling's The Twilight Zone Magazine, 1981
Fictionwise Release Date: May 2002


39 Reader Ratings:
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Available eBook Formats [MultiFormat - What's this?]: Adobe Acrobat (PDF) [74 KB], eReader (PDB) [30 KB], Palm Doc (PDB) [17 KB], Rocket/REB1100 (RB) [16 KB], Microsoft Reader (LIT) [68 KB] - PocketPC 1.0+ Compatible, Franklin eBookMan (FUB) [89 KB], hiebook (KML) [71 KB], Sony Reader (LRF) [45 KB], iSilo (PDB) [14 KB], Mobipocket (PRC) [18 KB], Kindle Compatible (MOBI) [46 KB], OEBFF Format (IMP) [27 KB]
Words: 5013
Reading time: 14-20 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Adobe Acrobat (PDF) Format:  Printing DISABLED, Read-Aloud DISABLED
All Other formats: Printing DISABLED, Read-aloud DISABLED


"Science fiction has a small but important collection of texts that concern themselves with criminals, justice and the hypocrisy of societies that label some behaviors deviant while applauding others that are objectively just as wrongful. "The Burden of Indigo" is a fine addition to this canon. O'Neill's scenario harks back to the classics in tone and treatment, mainly Heinlein and Knight. In fact, the novel seems almost adrift from contemporary SF. There's nothing postmodern or cyber-anything about the book. O'Neill's real focus is the mental state that three decades of ostracism can produce. And here he accomplishes a lot. The indigo man is on every page, and often not even interacting with others. To sustain our interest with just the stream of consciousness of a single character is no mean feat. And the man's delusion that he is losing his taint of color is intensely pathetic. O'Neill manages to produce the same reaction in the reader that Ray Bradbury achieved with his own ink-stained pariah character, the Illustrated Man. In the varied reactions of the Freemen to his presence--anger, pity, disdain, comradeship--we see a whole human range of emotions--emotions that are almost too worn out to respond to. O'Neill's ending is satisfying, too, a kind of transcendental encounter that grants the only surcease he could ever realistically expect."--Paul Di Filippo, SciFi.com


The road was a relic of the past: a six-lane highway complete with a wide, planted median. Overgrown, most of the median plants had died; only a few stubborn oleanders survived, battling the weeds, crabgrass, and summer drought. The lane-divider stripes had faded to a dull gray, and, poking through cracks in the asphalt, bunches of golden field grass decorated the pavement.

Bypassing the village, the highway stretched to the western horizon, separating fields of yellow hay, cutting between rolling hills dotted with black oak. Framed by the orange-pink sky, a dark figure walked beside the median. It was a man. He was burdened with a backpack and was ambling in the energy-conserving gait of an experienced wanderer.

Nearing the outskirts of the village, the man stopped. Shading his eyes, he glanced back, watching the sun disappear; then he turned and walked across the three lanes. He stopped on the road shoulder, looking down the main street--the only real street--of the village.

His shoulders were rounded and slumped as if he carried a much heavier load than a backpack. He carried a carved and polished walking stick, his only adornment--except for his color. Clothes, backpack, hair, beard, all exposed skin from head to foot: the man was the color of dark blue ink. Indigo.

The indigo man saw no one on the village street, not even a dog: supper time.

Cautiously he walked into the village, inspecting the buildings as he moved down the center of the street. His search was specific, not the unmotivated curiosity of an idler. Above the general store a faded sign read, Enjoy Coca-Cola. He'd seen the red-and-white signs in many villages, advertising a beverage that was no longer made. On both sides of the street, the houses were identical, boxes peeling a grayish paint. He stepped around the hummerpad at the center of the town. The circular disc of concrete with steps, ramps, and railings was well maintained, at odds with the general appearance of other structures.

Continuing down the street, the indigo man passed a school, the post office, a few more houses, and finally paused at the edge of town before a small dirty building. Yes, there was the sign over the door, dusty but legible: C.P. Hostel.

Sighing, the indigo man stepped to the heavy oaken door; he placed the palm of his hand against a metallic sensor inset in the door and waited, knowing that somewhere a computer recorded his identity and noted his location.

A whirr and a click. The door swung in.

Taking one tentative step inside, the indigo man looked about the large single room. It looked and smelled like a barracks: neat and clean. At the far end, arranged in a row across the hall, were five old-style military bunks, all made up, with hospital folds. Behind the bunks were two doors labelled M and W. Immediately in front of him was a heavy wooden dining table with ten chairs of matching black oak. To his right was a recreation area: a card table with several open books and a half circle of folding chairs, ringing a blank holoview bowl.

As his gaze moved around the room, the wrinkles on the indigo man's forehead deepened into a frown.

He was alone!


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