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Teasing Secrets from the Dead: My Investigations at America's Most Infamous Crime Scenes [Secure eReader (recommended)/Mobipocket/Microsoft Reader]
eBook by Crown Publishing Group
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eBook Category: True Crime/People
eBook Description: Teasing Secrets from the Dead is a front-lines story of crime scene investigation at some of the most infamous sites in recent history. In this absorbing, surprising, and undeniably compelling book, forensics expert Emily Craig tells her own story of a life spent teasing secrets from the dead. Emily Craig has been a witness to history, helping to seek justice for thousands of murder victims, both famous and unknown. It's a personal story that you won't soon forget. Emily first became intrigued by forensics work when, as a respected medical illustrator, she was called in by the local police to create a model of a murder victim's face. Her fascination with that case led to a dramatic midlife career change: She would go back to school to become a forensic anthropologist--and one of the most respected and best-known "bone hunters" in the nation. As a student working with the FBI in Waco, Emily helped uncover definitive proof that many of the Branch Davidians had been shot to death before the fire, including their leader, David Koresh, whose bullet-pierced skull she reconstructed with her own hands. Upon graduation, Emily landed a prestigious full-time job as forensic anthropologist for the Commonwealth of Kentucky, a state with an alarmingly high murder rate and thousands of square miles of rural backcountry, where bodies are dumped and discovered on a regular basis. But even with her work there, Emily has been regularly called to investigations across the country, including the site of the terrorist attack on the Murrah Building in Oklahoma City, where a mysterious body part--a dismembered leg--was found at the scene and did not match any of the known victims. Through careful scientific analysis, Emily was able to help identify the leg's owner, a pivotal piece of evidence that helped convict Timothy McVeigh. In September 2001, Emily received a phone call summoning her to New York City, where she directed the night-shift triage at the World Trade Center's body identification site, collaborating with forensics experts from all over the country to collect and identify the remains of September 11 victims. From the biggest news stories of our time to stranger-than-true local mysteries, these are unforgettable stories from the case files of Emily Craig's remarkable career.
eBook Publisher: Crown Publishing Group/Crown Publishing Group
Fictionwise Release Date: September 2004
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Available eBook Formats [Secure eReader (recommended)/Mobipocket/Microsoft Reader - What's this?]: SECURE MOBIPOCKET FORMAT [364 KB], SECURE MICROSOFT READER FORMAT [385 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE EREADER (RECOMMENDED) FORMAT [281 KB], OEBFF Format (IMP) [563 KB]
All formats: Printing DISABLED, Read-aloud DISABLED
Microsoft Reader ISBN, Adobe Acrobat Reader ISBN, MobiPocket Reader ISBN, eReader (recommended) ISBN: 9781400082650

Pale Death with impartial tread beats at the poor man's cottage door and at the palaces of kings. —Horace
My first case started just as so many cases begin for me today—with an unidentified victim. A couple of bass fishermen had found some decomposed and partially skeletonized remains on the edge of West Point Lake, one of the huge Chattahoochee River impoundments that separate the lower portions of Alabama and Georgia. The man had been shot in the head and his body had washed up onto the riverbank. The Georgia Bureau of Investigation (GBI) had been working the case, but after several weeks, they still had no identification for the victim, and it looked as if this murder might be headed for the cold-case files.
I was still a civilian then, a medical illustrator at a nearby orthopedic clinic, but the police thought I might be able to help by doing a clay facial reconstruction of the victim. When police officers escorted me into the forensic morgue for the first time, I had my first whiff of the smell of decayed human flesh. It was like nothing I'd ever experienced, and I felt an overpowering sense of repulsion. Yet I was also drawn to the mass of bone and decaying tissue that once had been a man—I'd never seen anything like it before. It was slimy and grayish, with bits of bone and rotting leaves and twigs sticking up randomly from a form that I could still recognize as human—but this form had flattened, melted into the black vinyl of the body bag.
As the investigators began to tell me what they knew, I was amazed at how much they'd already learned simply from examining the remains. Enough pelvic soft tissue remained to reveal that this victim was a man; and the coroner, Don Kilgore, had estimated his height from the size label sewn into the trouser remnants that still clung to his leg bones. Now Don gently held the head, which had decomposed down to bare bone, and he showed me the bullet hole, explaining how he could tell where the bullet had entered the man's head, and at what angle. Don had been lucky: He'd recovered a .45-caliber bullet from inside the skull. If police could only link a suspect to the victim, they might be able to solve the crime by comparing bullet evidence.
But the first step, as in every murder investigation, was to identify the victim. Don pointed to some fillings in the man's teeth. If they could just get someone to suggest a name for the victim, he told me, they could probably match the man's teeth to a missing person's dental records. They were starting to lose hope, though. This victim's remains had been here in the morgue for way too long already, and so far no one had come forward with a name.
That's where I came in. At the time, I was dating a detective, Brian McGarr, and all I knew of crime was what I'd heard from him, as he kept me up nights with long, grisly stories of his latest homicide cases. He, in turn, had the incredible good luck to hear all about my exciting work as a medical artist and sculptor, which he at least had the good grace to pretend to find fascinating. Still, maybe he was more interested than I thought. When the West Point case continued to go unsolved, he was the one to suggest to the GBI and the Muscogee County coroner that they commission me to do the facial reconstruction that might help them identify their victim.
Brian and I had a relationship that nicely blended the personal and the professional. He was able to share with me confidential information about police work because I was a volunteer emergency...
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