Pashazade [Secure eReader (recommended)/Mobipocket/Microsoft Reader/Adobe Reader 7]
eBook by Jon Courtenay Grimwood
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eBook Category: Science Fiction/Mystery/Crime
eBook Description: Part mystery, part speculative fiction, and wholly unforgettable, Jon Courtenay Grimwood's celebrated Arabesk series portrays the dark, hard-boiled story of a man out to prove his innocence in an alternate world where the facts aren't always the same as the truth ... and murder isn't the worst that can happen. It's a twenty-first century hauntingly familiar--and yet startlingly different from our own. Here the United States brokered a deal that ended World War I, and the Ottoman Empire never collapsed. And lording it over all sits the complex, seductive, and bloodthirsty North African metropolis of El Iskandryia. Almost nothing is what it seems to be in El Isk, and Ashraf Bey is no exception. Neither the rich Ottoman aristocrat everyone thinks he is, nor the minor street criminal once shipped off to prison when he fell foul of his Chinese Triad employers--the fact is that Raf has as little idea who he is as anyone else. With few clues and no money, all Raf has is a surname hinting at noble heritage and an arranged marriage to a woman who hates him. But nothing Ashraf al Mansur learns about himself is as unexpected--or as terrifying--as the brutal murder he's accused of committing. Now, as a hunted man with the welfare of a precocious young girl in his irresponsible hands, Raf must race after a killer through an unforgiving city as foreign to him as the truth he'll uncover about himself.
eBook Publisher: Bantam Books/Bantam Books
Fictionwise Release Date: March 2005
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Available eBook Formats [Secure eReader (recommended)/Mobipocket/Microsoft Reader/Adobe Reader 7 - What's this?]: SECURE MOBIPOCKET FORMAT (308 KB], SECURE MICROSOFT READER FORMAT (526 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE EREADER (RECOMMENDED) FORMAT (281 KB], SECURE ADOBE READER 7 FORMAT (1.6 MB], OEBFF Format (IMP) [621 KB]
Secure Adobe Reader 7: Printing DISABLED, Read-aloud DISABLED Other formats: Printing DISABLED, Read-aloud DISABLED
eReader (recommended) ISBN: 05535874399780553901 Microsoft Reader ISBN, Adobe Acrobat Reader ISBN, MobiPocket Reader ISBN: 9780553901290

"All brilliant light and scorching heat . . . Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery." -- Sunday Telegraph
"A mature balance between sensibility and action in what's essentially a rite of passage story allied with a detective thriller—deftly told and laced with neat ideas." -- Time Out "Near perfect." -- Murder One

CHAPTER 1 6th July The sound of fountains came in stereo. A deep splash from the courtyard below and a lighter trickle from the next room, where open arches cut in a wall overlooking the courtyard had marble balustrades stretched between matching pillars. It was that kind of house. Old, historic, near-derelict in places. "Ambient temp eighty-one Fahrenheit, humidity sixty-two per cent . . ." The American spoke clearly, reading the data from the face of his watch, then glanced through a smashed window to what little he could see of the sky outside. "Passing cloud, no direct sunlight." Dropping clumsily onto one knee, Felix Abrinsky touched the marble floor with nicotine-stained fingers, confirming to himself that this statement was correct. The tiles were warm but not hot. No latent heat had been stored up from that morning's sunshine to radiate back into the afternoon air. Bizarrely, it took Felix less effort to stand than it had done to kneel, though he needed to pause to catch his breath all the same. And the silver-ringed hand that came up to wipe sweat from his forehead only succeeded in smearing grease across his scalp and down his thinning ponytail. Police regulations demanded he wear a face mask, surgical gloves and—in his case—a sweatband to stop himself from accidentally polluting biological evidence. But Felix was Chief of Detectives and so far as he was concerned that meant he could approach the crime scene how he liked, which was loose, casual and lateral. Not to mention semi-drunk. All the virtues that first got him thrown out of the police in Los Angeles. Besides, if you wanted to talk about should have been, then he should have been on holiday. And he would have managed it, too, if this particular buck hadn't been bumped up the line so fast it practically hit the wall parking itself right outside his office door. The body in the chair was fresh, still warm to his touch. Stiffness had set in to the arms—but then, rigor happened fast when a victim was borderline anorexic. And even without the woman's thinness there was North Africa's heat to add into the equation. Heat always upped the rate at which rigor gripped a corpse. On his arrival Felix had considered obtaining an immediate body temperature. But habit made him do the crime-scene grabs first, then work a grid through the victim's office, tweezering up clues. And technically, since she was obviously dead, he'd already broken his own regulations by checking under her jaw for a carotid pulse. "Covering the body prior to site shots." Some cities used electronic observers, 360-degree fish-eye vids, wired for movement and sound. El Iskandryia used the human kind, when it bothered to use observers at all. The silksuit Felix had selected stood in the doorway, doing exactly what he'd been told, which was shut up and stay out of the way. From a foil packet Felix extracted a sheet of tissue-thin gauze designed to protect the woman's modesty in death, as surely as a scarf round her head would have hidden her hair on the streets in life. Except there was no scarf, because the woman had been stabbed in her own house, at her own desk, in her own office . . . "Starting location shots," said the fat man and lifted an old Speed Graphic. The camera was linked to his even more ancient LAPD-issue chronograph, which would back up each shot as it was taken, just as the camera would automatically stamp time, date and orientation across the bottom edge of each new shot. Copyright © 2001 by Jon Courtenay Grimwood
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