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Memory and Desire [MultiFormat]
eBook by Lillian Stewart Carl
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eBook Category: Romance
eBook Description: Claire came to the English village to find her best friend, Melinda, who'd vanished after performing in a play which re-creates a seventeenth century witchcraft trial. What she found was a murder mystery--and a man. A man who, like her, is trapped between memory and desire. The play takes place at the manor house where the protagonists lived and died, a house where the past is still a haunting presence. Did Melinda ask too many questions about the village's tragic history? To find her, Claire, too, must ask questions. What she learns is that everyone in the village is playing a role--not just in the melodrama, but in real life. Claire must walk a fine line between repeating the past and surviving the present. For if she puts one foot wrong she won't be seeing the future at all, let alone spending it with the man she's not only come to trust, but to love.
eBook Publisher: Wildside Press, Published: Wildside Press, 2000
Fictionwise Release Date: June 2002
68 Reader Ratings:
Available eBook Formats [MultiFormat - What's this?]: eReader (PDB) [396 KB]
, ePub (EPUB) [357 KB]
, Rocket/REB1100 (RB) [344 KB]
, Adobe Acrobat (PDF) [1.2 MB]
, Palm Doc (PDB) [392 KB]
, Microsoft Reader (LIT) [395 KB]
, Franklin eBookMan (FUB) [372 KB]
, hiebook (KML) [882 KB]
, Sony Reader (LRF) [457 KB]
, iSilo (PDB) [321 KB]
, Mobipocket (PRC) [400 KB]
, Kindle Compatible (MOBI) [472 KB]
, OEBFF Format (IMP) [516 KB]
Words: 114142 Reading time: 326-456 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Portable Document Format (PDF) Format: Printing DISABLED, Read-Aloud DISABLED All Other formats: Printing DISABLED, Read-aloud DISABLED

"This is a stand alone mystery of the old school--mystery, romance, setting are skillfully mixed. This is a very intelligent novel, packed with information and clever twists. The set-up, which could have lent itself to a gothic feel, instead is built upon with a wry, crisp style that had me smiling at times and always interested. The unbelievable was told in such a way as to make me accept it as a natural part of her setting. Ms. Carl's background is in Science Fiction, and she brings the best of that genre to her mystery--imaginative descriptions and the ability to suspend the reader's disbelief. I found her plot twists and elements very fresh. It's a cozy with weight."--Patricia Wynn, DorothyL Mystery Readers e-Group
"The setting is wonderful, Ms. Carl describes the village of Somerstowe and the English climate so well that this reader felt as if she were viewing a film. The characters, both major as well as minor, come to life clearly with all their traits, quirks, and foibles helping the reader understand some of their actions. The mystery kept me guessing until the last few chapters where I had an "AHA! moment" just as I suspect the author intended. There are some "woo woo" elements involving ghosts, Witchcraft, and alternative beliefs. I found them both interesting and believable. I heartily recommend this book, and hope to read more from this author."--Kay Martinez, Murder Express "Carl's story is solidly written, deftly balancing intense emotion with satisfying intrigue. Her ear for dialog is sharp and her love of all things British shines through. Memory and Desire is a truly memorable read."--Fran Baker, Fiction Forest/Screaming Media "A good story...about believable and engaging characters, with a dash of romance and a bit of the supernatural. I enjoyed this book tremendously; it has something of the flavor of a classic novel by Mary Stewart or Barbara Michaels, because it fits well within the tradition of the classic romantic suspense novel. It also has a pretty dandy murder mystery as well."--Dean James, Murder by the Book "A delightful romantic mystery. The heroine is smart, funny and knows full well she's in over her head from the start...I admire that common sense in a heroine. Ghosts add a touch of fantasy to the book, but not so much as to turn off more traditional mystery lovers. Memory and Desire keeps the reader's interest by balancing all the elements easily. I recommend curling up with your cat and some tea for this one, on a rainy day. I bet the day passes pretty quickly as you forget to put the book down."--Kelly Muzyczka, Mystery and Crime Host, BellaOnline "It's definitely a mystery. And a love story. And a ghost story. And a story of witchcraft and man's tendency to destroy that which he does not understand. There is definitely a "woo-woo" factor in his book, enough to put off a reader who can't be open to the beliefs of earlier religions. Not enough to put off someone who simply enjoys the mysterious. A fascinating book, it's called "a novel of mystery and romance" which is an excellent description. Well worth reading."--Peggy Itzen, Cozies, Capers, and Crimes "Hauntingly reminiscent of Daphne du Maurier, Ms. Carl's novel has something for fans of many genres with mystery, romance, and ghosts. Red herrings keep the reader guessing from page to page. Clair is a detective that has all the grit of a grown up Nancy Drew or young Miss Marple."--Amanda Killgore, Romance at its Best

Chapter One Claire was so badly jet-lagged from her transatlantic flight she felt as disembodied as a ghost. When Detective Chief Inspector Blake strode across the lobby of the police station and crushed her fingers in a handshake she was faintly surprised. She'd half expected him to walk right through her. "Miss Godwin," he said. "The sergeant tells me you're here about the Melinda Varek case." "Yes, I am. She was my foster-sister and best friend. I need to know what happened to her." "I'd like to know what happened to her myself. But the longer a case goes unsolved the less likely it will ever be solved. And it's been a year." "I know. I'd still like to talk to you about it, please." Blake's expression was polite, although the twitch of his moustache suggested he wouldn't be sorry if she vanished into thin air. But Claire persisted in physical existence. A conservatively dressed young American wearing glasses, she had to be the least threatening apparition the detective had seen all day. Conceding defeat, Blake gestured toward a door beside the reception desk. "Come through. I have a few moments." "Thank you." He ushered her into a small office. The fluorescent-lit and linoleum-lined cubicle probably looked just like a cell downstairs, except for a computer and several thousand pieces of paper. Through the window the city of Derby was as damp and dark as a scene in a film noir. Claire sat down and clasped her hands in her lap. They were trembling. At last. She was here at last. "It's been a year," repeated Blake, settling behind his desk. "The first I heard Melinda was missing was when your officer went through the return addresses on her mail and contacted me. I wasn't too concerned then -- she was always taking off on spur-of-the moment treks to odd parts of the world. "Which is what I told your officer. And what her brother told him. And what her former husband told him. It was six weeks, well into August, before I was sure something was wrong. By that time school was starting. I'm a media specialist -- fancy name for a librarian -- in a big high school, I couldn't just walk off the job to look for her. And I had some other things I had to deal with." Not that Steve had actually moved out until December, she added to herself. But once he'd "put his foot down," in his words, and told her she couldn't go running off to England on a wild goose chase, she'd known the relationship had reached its sell-by date. "The trail is a lot colder now than it was then," said Blake. "I know that. But if the professionals couldn't find her, what could I have done?" "We had other problems to deal with, too," Blake stated. "You're speaking of Miss Varek in the past tense. You think she's dead, then." "Yes." Claire didn't flinch. She'd had a long time to think about it. "Don't you think she's dead?" Blake nodded agreement. "So where's her body? You found her car parked by Ladybower Reservoir and dragged the lake. You searched the surrounding countryside. You searched Somerstowe itself, on the off chance her car was stolen. Nothing." "She scarpered, then. Ran off to make a new life." "Why?" returned Claire. "She was a very successful journalist. She went to Somerstowe to research her first novel -- she already had a couple of publishers interested. Nothing was missing from her room except her laptop and her camera. The tools of her trade, yes, but..." "Maybe she wanted to hide from her ex-husband." "Melinda never hid. She felt success was the best revenge." "Did she, now?" Blake took off his glasses and polished them with a handkerchief. He was almost bald, the expanse of his skull shining above a tidy fringe of brown hair, while the lower half of his face was almost concealed by the luxuriant moustache. Here was a man, Claire thought, who had all his bases covered. Or perhaps, being English, he had all his wickets defended. But he'd think she really was nuts if she asked him if he played cricket. "Miss Varek might have thrown everything over," Blake went on, "because she committed a crime." Claire had cataloged every possibility. "I can't see that. I know her better than anyone else, probably, and she's not -- she wasn't -- the criminal type any more than she was the suicidal type. Do you have any unsolved crimes you could pin on her?" "No," Blake admitted, but his voice hinted that anyone could be either criminal or suicidal, take your pick. "Maybe she went walking," Claire suggested, "and, say, fell into an old mine shaft and is still lying there. Maybe she hit her head and has amnesia -- although I'm not sure that ever really happens. But why go out walking alone, at midnight, away from the village, instead of enjoying all the attention she must've gotten after the play?" "The play. 'A history of... ' What was the title again?" "'An Historie of the Apocalypse as Visit'd upon Summerstow.' The true story of a seventeenth century witch trial." "Ah, yes," said Blake. "Costumes and melodrama. Miss Varek played the lead, the girl who was a witch. Odd, that they'd choose an American for the role." "The girl, Elizabeth, was only accused of being a witch," Claire amended. "What if the play had something to do with Melinda's disappearance?" "You never know about actresses." Or Americans, Blake's grimace seemed to say. "We rang up hospitals. We placed notices in newspapers. We sent her photo to Interpol. Nothing." "In Melinda's last letter she told me she had a new lover, someone connected with the play, but she didn't name names. Maybe he..." "We interviewed everyone connected with the play and a fair number who weren't. They all had quite a few things to say about Miss Varek, some complimentary, some not, but none of them told us anything helpful." Blake replaced his glasses. His eyes were the dull gray of flint. "I think we can agree, Miss Godwin, that the amnesia, suicide, and running away theories are right out. Illogical and too dramatic. It could be that Miss Varek was murdered, if that's not too dramatic as well." "Yeah, well, Melinda was a pretty dramatic person, play or no play." "There are any number of motives for murder," Blake pointed out. "Yes there are. A fatal accident would be simple, wouldn't it? But a murder, that's another matter entirely. That would be complicated." Blake glanced at his watch and stood up. "I'm sorry, Miss Godwin. I'd like nothing better than to find Miss Varek, alive or dead. Unless some sort of evidence turns up, though, her case is as good as closed." Claire envisioned a portfolio slamming shut on Melinda, flattening her into two dimensions like a playing card. If this had been a poker game, Blake would've just called her bluff. And her hand was empty. Blake handed her a business card and summoned a sympathetic smile even as he eased her from her chair. Muttering something about a pleasant holiday, he ushered her out the door of the office and abandoned her in the corridor. It smelled of cigarette smoke, disinfectant, and sausage. Claire hadn't expected her visit to the Derbyshire Constabulary to prove anything. It was merely a formality, like securing the end of a strand of yarn before she began stitching. Because she wasn't on holiday. She was on her way to Somerstowe to volunteer at the Hall just like Melinda had done last summer. She was going to discover her friend's body and a means of death, whether accident or murder. Uncovering a murder, she reminded herself, would mean uncovering a murderer. Her hands were still trembling. Jet lag, she assured herself, not fear, and she walked out into the rain. Copyright © 2000 by Lillian Stewart Carl
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