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Murder Well Bred [MultiFormat]
eBook by Carolyn Banks

  Regular     Club
You Pay:  $7.00     $5.95

eBook Category: Mystery/Crime/Humor
eBook Description: While her food critic husband, Jeet, checks out San Miguel's cuisine, equestrienne Robin Vaughan heads for the country to interview a famed dressage master. But Hans Bell is nastily uncooperative, his elegant horses are nervous, and the interview is a flop. So's an encounter with an old Texas friend, Marilee Hart, who's sitting pretty on a wonderful ranch called Milagro--"Miracle." Marilee is not friendly and, like Bell's horses, she's terribly nervous. And before long, she's dead. Who fired the shots that killed her? Why is Milagro such a deep secret? Wild horses couldn't keep Robin from snooping for the truth, a story too bizarre to believe--and much too dangerous to print...

eBook Publisher: Amber Quill Press, Published: 2004
Fictionwise Release Date: May 2005


7 Reader Ratings:
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Available eBook Formats [MultiFormat - What's this?]: Adobe Acrobat (PDF) [877 KB], eReader (PDB) [147 KB], Palm Doc (PDB) [127 KB], Rocket/REB1100 (RB) [115 KB], Microsoft Reader (LIT) [140 KB] - PocketPC 1.0+ Compatible, Franklin eBookMan (FUB) [178 KB], hiebook (KML) [362 KB], Sony Reader (LRF) [197 KB], iSilo (PDB) [105 KB], Mobipocket (PRC) [131 KB], Kindle Compatible (MOBI) [177 KB], OEBFF Format (IMP) [173 KB]
Words: 39426
Reading time: 112-157 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Adobe Acrobat (PDF) Format:  Printing DISABLED, Read-Aloud ENABLED
All Other formats: Printing DISABLED, Read-aloud DISABLED
ISBN: 1-59279-212-X


"Banks' technique--is as sharp as any killer's knife blade."--The Washington Post

"Crisply flip dialogue is her metier."--Los Angeles Times

"Suppose Lucille Ball and P. G. Wodehouse had a child, and that child, now a grown woman, possessed Ms. Ball's genius for comic misadventure and Mr. Wodehouse's sublime lightheartedness and verbal brilliance. What sort of novels would such a woman write? I'm guessing she'd write novels very much like the ones written by Carolyn Banks, whose mysteries starring the irrepressible Robin Vaughan are hilarious entertainments in which our heroine, sometimes lost, sometimes confused, sometimes obsessed (or at least distracted) fights her way through thickets of deception and wrong-doing, often putting her own life in jeopardy to save the day, or the horse, or both. You'll love these books."--William Browning Spencer, author of Zod Wallop and Resume With Monsters

"Murder Well Bred was so well done that it made this reviewer search out other books by this author! ... Carolyn Banks is an outstanding author! This book was a cross between Agatha Christie and Erma Bombeck. Written in the first person, readers get into the main character's head. Robin Vaughan is the type of character that will appeal to every reader. Banks's engaging style, coupled with a dry wit, makes this murder mystery more fun than a fiesta! This is a definite laugh-out-loud book. The author cleverly balances this terrific humor with an actual mystery. Incorporating the theme of horses makes the motive of the murder unique. Sprinkled throughout the story are references to horse breeding, training and selling. Yet, this is done to whet the appetite, and will be welcome to the reader who is an accomplished rider, as well as the "I've-been-on-a-pony-once" person. Be sure to read Murder Well Bred. In fact, get all of this author's books before the rest of the world finds out how great she is and the price skyrockets! Well done, Carolyn Banks!"--Joyce Handzo, In The Library Reviews


CHAPTER 1

"Robin, are you absolutely sure?"

This was my husband, asking if I wanted him to come along with me while I schlepped around Guanajuato from one horse farm to another.

If you know Jeet at all, you know what a wrench it must have been for him to ask me that. Because if there's one thing Jeet can live without, it's horse farms. Horse farms and the horses that inhabit them.

"I'm sure," I said, my heart swelling the way your heart will swell when you have a sudden extra-big rush of love for someone.

But then he had to go and spoil it by wagging his finger at me. "Just remember," he warned. "You aren't in America. You have to be careful down here. It isn't–"

"Please, Jeet," I said. "You told me about the Napoleonic Code about thirty-three times already. And I get it. Now relax. I'll be fine." I turned away and rolled my eyes. Honestly. You'd think I was fourteen years old!

"I'm not trying to be a pill," he said. "Mexican prisons are the pits. You could get into one and never get out or–"

"I'm just driving to some horse farms," I interrupted. "It isn't as though I'm going to get involved in some international incident." Jeez.

"Driving is how it happens. You get in an accident and the next thing you know, you're in jail." He moved to the window of our hotel room and looked out into the street. "And I don't know if driving is a great idea," he said. "The streets are pretty darn narrow."

I knew he'd relent on this one: we'd paid a fortune to rent the car. No kidding. It cost more to rent the car than it did to fly here.

We were in San Miguel de Allende. It's this town in the mountains with no stoplights, no parking meters, no neon, no billboards, and ancient cobblestone streets. And all of it on purpose, too. It's a colonial city that the Mexican government wants to keep that way. Quaint, but really quaint, as opposed to fake quaint. Tourist from all over–the U.S., Canada, Europe, even Asia–come here in droves.

I wanted to come the minute Jeet announced that his newspaper–that's the Austin Daily Progress–was sending him here. Jeet's the food critic. And because a lot of Texans travel to San Miguel, the paper wanted to do a piece on the local cuisine.

They weren't paying for me, of course. But Jeet got me sort of a gig so I could come along tax-deductibly. What I was doing, sort of, was writing a story, just like Jeet. Except that, while his was about food, mine was going to be about horses.

Horses are my thing.

When Jeet first suggested that I do this–get an assignment to write a story about horse farms in Central Mexico so I could come along–I scoffed. Who would ever hire me?

He picked up a pile of horse magazines. I subscribed to probably five or six. He opened one of them to the page where the people who work there are listed–the masthead, he called it–pointing to the editor's name. "Here," he said. "Call this person and say, 'I'm going to be in San Miguel de Allende, and I wondered if you'd like a story about…'"

"About what?" I'd asked.

"About whatever you think would be good. Horse farms or famous riders who live in the area. What would you want to read about?"

"There are some famous teachers in San Miguel," I'd said. "Nonie Mulcaster, I think. She used to teach Pony Clubbers up in Canada and even made an Olympic rider or two. And there's some guy who wrote a famous equitation book."

So I'd called around and asked some people who'd been to San Miguel and eventually I got the name of the guy who wrote the book. Hans Bell.

I also got a list of some farms. You know, places where there are shows or people can board their horses or take lessons or whatever. Manuel–an old man who works for Suzie Ballinger–told me about a farm called Milagro (That's "miracle" to you gringos.). He'd never been there, but he'd heard about it from bunches of people who'd come up from Mexico, he'd said.

So, armed with all this information, I did what Jeet suggested, called the editor of Horse Play, and guess what? I was now Robin Vaughan, freelance journalist, Brenda Starr and Lois Lane and Oriana Fallaci all rolled into one. I still get the giggles whenever I think about it: Me, actually working.

Oh, please, don't write me nasty letters. I know women work. It's just that I never have, unless you count the couple of weeks I tried to hustle makeup door to door. There just isn't anything out there for a slightly overweight phys ed major, you know what I mean? Plus our little Primrose Farm would absolutely fall apart if it weren't for me and my trusty hammer, wrench, and post-hole digger.

Copyright © 2002 by Carolyn Banks


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