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eBook Category: General Nonfiction/Sports/Entertainment
eBook Description: The Classic Guide to Sword Fighting! Ever wondered what terms like "reposite," "terce," "quart," "secone," "flanconnade," "demarche," "reprise," and others mean when you are reading about sword fighting? Whether you are an experienced fencer, an SCA member, a writer, or just a reader, you will learn a lot from this classic work will make sword play seem as simple as child's play. Every move and countermove is explained in detail, and with rare lucidity and wit. Written by Monsieur L'Abbat, Master of the Sword at the Academy of Toulouse, in 1734, and translated by Andrew Mahon, Professor of the Small Sword, Dublin, this is the book which served as the foundation of all European schools of sword fighting during the 17th and 18th centuries.

eBook Publisher: Renaissance E Books/PAGETURNER, Published: 2005
Fictionwise Release Date: July 2005

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Available eBook Formats [MultiFormat - What's this?]: Adobe Acrobat (PDF) [474 KB], eReader (PDB) [82 KB], Palm Doc (PDB) [74 KB], Rocket/REB1100 (RB) [67 KB], Microsoft Reader (LIT) [97 KB] - PocketPC 1.0+ Compatible, Franklin eBookMan (FUB) [121 KB], hiebook (KML) [230 KB], Sony Reader (LRF) [137 KB], iSilo (PDB) [61 KB], Mobipocket (PRC) [76 KB], Kindle Compatible (MOBI) [113 KB], OEBFF Format (IMP) [100 KB]
Words: 26813
Reading time: 76-107 min.
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I thought it very suitable to my Business, when I met with so good an Author as Monsieur L'Abbat, on the Art of Fencing, to publish his Rules, which in general, will I believe be very useful, not only as they may contribute to the Satisfaction of such Gentlemen as are already Proficient in the Art, and to the better Discipline of those who intend to become so, but also in regard that the Nicety and Exactness of his Rules, for the most Part, and their great Consistency with Reason, may, and will in all Probability, lay a regular and good Foundation for future Masters, who tho' accustomed to any particular Method formerly practiced, may rather choose to proceed upon the Authority of an excellent Master, than upon a vain and mistaken Confidence of their own Perfection, or upon an obstinate Refusal to submit to Rules founded on, and demonstrated by Reason.

For my Part, though I had my Instructions from the late Mr. Hillary Tully of London, who was (and I think with great Reason) esteemed a most eminent Master in his Time, I thought I could not make too nice a Scrutiny into my Profession, by comparing Notes with Monsieur L'Abbat, which improved me in some Points, and confirmed me and others, to my no small Satisfaction, being well persuaded, that, as a Professor of this Science, it would have been an unpardonable Fault in me to deprive our Nations of such an Improvement, either through Prejudice to his, or Partiality to my own Opinion.

Though I have already said that Mr. L'Abbat's Rules are nice, reasonable, and demonstrative, yet I would not have it inferred from thence, that he approves of them all, as really essential to the Art of Fencing; there being some which he does not approve of, and which he would not have mentioned, had they not interfered with his profession, by the Practice and Recommendation of some Masters, who being more capricious than knowing, were fonder of the showy or superficial, than of the solid Part of the Science.

Volting, Passing, and Lowering the Body, are three things which Mr. L'Abbat disapproves of, in which Opinion I join; because the Sword being the Instrument of Defense, there can be no Safety when the proper Opposition of the Blade is wanting, as it is in volting and lowering the Body, and in passing, by reason of the Weakness of the Situation, which cannot produce a vigorous Action.

Notwithstanding which, there is a modern Master, who as soon as he had seen this Book, and the Attitudes representing volting, passing and lowering the Body, began and still continues teaching them to his Scholars, without considering how unsafe and dangerous they are, for want of the proper Opposition of the Sword when within Measure.

Of all Professions, that of Arms has in all Ages, since their Invention, been esteemed the noblest and most necessary; it being by them that the Laws preserve their Force, that our Dominions are defended from the Encroachments of our Enemies, and ill designing People kept in the Subjection due to their Sovereigns; and of all Arms, the Sword is probably the most ancient: It is honorable and useful, and upon Occasion, causes a greater Acquisition of Glory than any other: It is likewise worn by Kings and Princes, as an Ornament to Majesty and Grandeur, and a Mark of their Courage, and distinguishes the Nobility from the lower Rank of Men.

It is the most useful, having the Advantage of Fire Arms, in that it is as well defensive as offensive, whereas they carry no Defense with them; and it is far preferable to Pikes and other long Weapons, not only because it is more wieldy and easy of Carriage, but also by reason of the Perfection to which Art has brought the Use of the Small Sword; there being no Exercise that conduces so much as Fencing, to strengthen and supple the Parts, and to give the Body an easy and graceful Appearance.

The Sword, since its first Invention, has been used in different Manners: First, with a Shield or Buckler; Secondly, with a Helmet, and Thirdly, with a Dagger, which is still used in Spain and Italy. Mr. Patinotris, who taught at Rome, introduced, and laid down Rules for the Use of the Small Sword alone, which has since been much improved by the French and our Nations.

As the Art of Fencing consists in attacking and defending with the Sword, it is necessary that every Motion and Situation tend to these two principal Points, viz. In offending to be defended, and in defending to be in an immediate Condition to offend.

There is no Guard but has it's Thrust, and no Thrust without it's Parade, no Parade without it's Feint, no Feint without it's opposite Time or Motion, no opposite Time or Motion but has it's Counter, and there is even a Counter to that Counter.

Some injudicious Persons have objected to Mr. L'abbat's Manner of Fencing, that it is too beautiful and nice, without observing that if it be beautiful, it cannot be dangerous, Beauty consisting in Rule, and Rule in the Safety of attacking and defending.

In Fencing, there are five Figures of the Wrist, viz. Prime, Seconde, Tierce, Quart, and Quinte. The first is of very little Use, and the last of none at all.

Prime is the Figure that the Wrist is in, in drawing the Sword. Seconde and Tierce require one and the same Figure of the Wrist, with this Difference only, that in Seconde, the Wrist must be raised higher, in order to oppose the Adversary's Sword; but in both these Thrusts the Thumb Nail must be turned directly down, and the Edges of the Blade of the Foil of an equal Height.

Quart is the handsomest Figure in Fencing, the Thumb Nail and the Flat of the Foil being directly up, and the Wrist supported so as to cover the Body below as well as above. In Quinte, the Wrist is more turned and raised that in Quart, which uncovers the Body, and weakens the Point, and therefore is not used by the skilful.

Some Masters divide the Blade into three Parts, viz. the Fort, the Feeble, and the Middle. Others divide it into Four, viz. the Fort, the Half Fort, the Feeble, and the Half Feeble; but to avoid Perplexity, I divide it only into Fort and Feeble; tho' it may be divided into as many Parts as there are Degrees of Fort and Feeble to be found on the Blade.

The Attitudes which are in the Book, are copied exactly from the Originals; tho' I might perhaps have made some Alterations, in my Opinion, for the better, yet I chose rather to leave them as they are, than to run the Hazard of spoiling any of them: I have therefore left the same Bend in the Foils as Mr. L'Abbat recommends, and for which he makes an Apology in his Preface.

Nor have I, in any of the Attitudes, represented a Left-handed Figure, because by looking thro' the Paper on the blank Side, they will appear reversed, and consequently Left-handed.

Monsieur L'Abbat recommends the turning on the Edge of the Left-foot in a Lunge, as may be seen by the Attitudes. This Method indeed was formerly practiced by all Masters, and would be very good, if their Scholars had not naturally run into an Error, by turning the Foot so much as to bring the Ankle to the Ground, whereby the Foot became so weak as to make the Recovery difficult, for want of a sufficient Support from the Left-foot, which, in recovering, bears the whole Weight of the Body: Therefore I would not advise the turning on the Edge of the Foot to any but such as, by long Practice on the Flat, are able to judge of the Strength of their Situation, and consequently, will not turn the Foot more than is consistent therewith.

It may sometimes be necessary to turn on the Edge, on such Ground whereon the Flat would slip, and the Edge would not, if it were properly turned; but even in this Case, by turning it too much it would have no Hold of the Terrace, and therefore would be as dangerous as keeping it on the Flat.

The chief Reason for turning on the Edge, is that the Length of the Lunge is greater by about three Inches, which a Man who is a Judge of Measure need never have recourse to, because he will not push but when he knows he is within Reach.

Some of the Subscribing Gentlemen will, perhaps, be surprised, when they find this Book published in my Name, after having taken Receipts, for the first Moiety of their Subscription Money, in the Name of Mr. Campbell, to whom I am obliged for his Assistance in the Translation, he being a better Master of the French Tongue than I am. Indeed to the chief Reasons why they were not signed in my Name, are, First, because I was, at the Time of their being signed, a Stranger in this city, being then lately come from England. And secondly, lest I should meet with such Opposition as might perhaps have frustrated my Design of publishing this book, I thought proper to conceal my being concerned in it, 'till Mr. Campbell had shown the Translation to all the principal Masters in Town, and gained their Approbation much in Favor of it.

Courage and Skill being often of little Use without a good Weapon, I think it necessary, before I lay down Rules for using it, to show how to choose a good Blade, and how it ought to be mounted.

The Length of the Blade ought to be proportionable to the Stature of the Person who is to use it: The longest Sword, from Point to Pommel, should reach perpendicularly from the Ground to the Navel, and the shortest, to the Waste; being large in Proportion to its Length, and not extremely large, nor very small, as some People wear them; the over large Blades being unwieldy, unless very hollow, which makes them weak, and the narrow ones being not sufficient to cover the Body enough.

In Order to choose a good Blade, three Things are to be observed: First, that the Blade have no Flaw in it, especially across, it being more dangerous so than Length-way. Secondly, That it be well tempered, which you'll know by bending it against a Wall or other Place; if it bend only towards the Point, 'tis faulty, but if it bend in a semicircular Manner, and the Blade spring back to its Straightness, 'tis a good Sign; If it remains bent it is a Fault, tho' not so great as if it did not bend at all; for a Blade that bends being of a soft Temper, seldom breaks; but a stiff One being hard tempered is easily broke. The third Observation is to be made by breaking the Point, and if the Part broken be of a grey Color, the Steel is good; if it be white 'tis not: Or you may strike the Blade with a Key or other Piece of Iron, and if he gives a clear Sound, there is no hidden Fault in it. In bending a Blade you must not force it, what I have said being sufficient to know it by, and besides by forcing it, it may be so weakened in some Part as to break when it comes to be used.

It would not be amiss for a Man to see his Sword mounted, because the Cutlers, to save themselves the Trouble of filing the inside of the hilts and pommel, to make the Holes wider, often file the Tongue[1] of the Blade too much, and fill up the Vacancies with Bits of Wood, by which Means the Sword is not firm in the Hand, and the tongue being thin and weak, is apt to break in Parrying or on a dry Beat, as has been unhappily experienced. Care should also be taken that the End of the Tongue be well riveted to the Extremity of the Pommel, lest the Grip should fly off, which would be of very dangerous Consequence.

Some Men choose strait Blades, others will have them bending a little upwards or downwards; some like them to bend a little in the Fort, and others in the Feeble, which is commonly called le Tour de Breteur, or the Bully's Blade. The Shell should be proportionable in Bigness to the Blade, and of a Metal that will resist a Point, and the Handle fitted to the Hand.

Some like square Handles, and others choose round Ones; the square are better and firmer in the Hand, but as this Difference depends on Fancy, as does also the Bow, which in some Cases may preserve the Hand, but may be a Hindrance in inclosing, I shall leave it to the Decision of the Fashions.

By Guard, is meant such a Situation of all the Parts of the Body as enables them to give their mutual Assistance to defend or attack. A Guard cannot be perfect without a good and graceful Disposition, proceeding from a natural Proportion of the Parts of the Body, and an easy and vigorous Motion, which is to be acquired by Practice, and the Instruction of a good Master.

As In all bodily Exercises, a good Air, Freedom, Vigor, and a just Disposition of the Body and Limbs are necessary, so are they more especially in Fencing, the least Disorder in this Case being of the worst Consequence; and the Guard being the Center whence all the Vigor should proceed, and which should communicate Strength and Agility to every Part of the Body, if there be the least Irregularity in any one Part, there cannot be that Agreeableness, Power of Defense, Justness, or Swiftness that is requisite.

In order to be well in Guard, it is absolutely necessary that the Feet, as the Foundation that conduces chiefly to communicate Freedom and Strength to the other Parts, be placed at such a Distance from each other, and in such a lineal Manner as may be advantageous: The Distance must be about two Foot from one Heel to the other; for if it were greater, the Adversary, tho' of the same Stature, and with a Sword of equal Length, would be within Measure when you would not, which would be a very considerable Fault, Measure being one of the principal Parts of Fencing, and if the Feet were nearer together, you would want Strength, which is also a great Fault, because a feeble Situation cannot produce a vigorous Action.

The Line must be taken from the hindmost Part of the Right Heel to the Left Heel near the Ankle. The Point of the Right Foot must be opposite to the Adversary's, turning out the Point of the Left Foot, and bending the Left Knee over the Point of the same Foot, keeping the Right Knee a little bent, that it may have a Freedom of Motion.

The Body must be upright, which gives it a better Air, greater Strength, and more Liberty to advance and retire, being supported almost equally by the two Feet. Some Masters teach to keep the Body back in Favor of Measure, which cannot be broke by the Body when 'tis already drawn back, tho' it is often necessary, not only to avoid a Surprise, but also to deceive a Man of superior Swiftness who pushes a just Length: Therefore 'tis much better to have the Liberty of retiring to avoid the Thrusts of the Adversary, or of extricating yourself by advancing towards him and pushing (as I shall observe in its proper Place) than to keep the Body in one Situation at a Distance, which being fixed, cannot deceive a Person who knows any thing of Measure; moreover, such a Retention of the Body does not only hinder the breaking Measure with the Body, but also the Left Leg is so oppressed with its whole Weight, that it would find it difficult to retire upon Occasion.

The Elbows must be almost on a Line, and of an equal Height, that one Shoulder may not be higher than the other, and that they may be both turned alike; the Left Hand must be over against the Top of the Ear, the Hilt of the Sword a little above the Hip, turning towards Half Quart, the Thumb extended, pressing the Middle of the Eye of the Hilt, keeping the Fingers pretty close to the Handle, especially the little one, in order to feel the Sword firmer and freer in the Hand.

By feeling the Sword, is meant commanding the Fort and Feeble equally with the Hand, in order to communicate to the more distant Part of the Blade, as well as to that which is nearer, the Motion and Action that is requisite.

The Hilt should be situated in the Center, that is to say, between the upper and lower Parts, and the Inside and Outside of the Body, in order to be in a better Condition to defend whatever Part may be attacked. The Arm must not be strait nor too much bent, to preserve its Liberty and be covered. The Parts being thus placed, the Wrist and the Point of the Right Foot will be on a perpendicular Line.

The Point of the Sword ought to be about the Height of, and on a Line with the Adversary's Shoulder, that is, it must be more or less raised, according as he is taller or shorter: Some Masters raise it to one fixed Height, which would be very well if all Men were of the same Stature; but if we consider the difference in Height of Persons, we shall find it evidently bad. 'Tis to be observed, that according to the Length or Shortness of the Blade, the Line from the Shell to the Point is higher or lower, when the Height of the Point is fixed.

The Shoulder, the Bend of the Arm, the Hilt, the Point of the Sword, the Hip, the Right Knee and the Point of the Right Foot must be on a Line.

The Head should be upright and free without Stiffness or Affectation, the Face turned between full and profile, and not altogether full, as many Masters will have it, that being a constrained and disagreeable Figure.

The Sight should be fixed on the Adversary's, not only to observe his Motions, but also to discover his Design, it being possible to guess at the interior Design, by the exterior Action.

It is necessary to appear animated with a brave Boldness, for nothing requires a Man to exert himself more than Sword in Hand; and it is as difficult to attain such an Air of Intrepidity without much Exercise, as it is to become perfectly expert.