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The Lady in the Lake [Secure eReader (recommended)/Mobipocket/Microsoft Reader/Adobe]
eBook by Raymond Chandler

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eBook Category: Mystery/Crime/Mystery/Crime
eBook Description: A couple of missing wives--one a rich man's and one a poor man's--become the objects of Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.
From the Trade Paperback edition.

eBook Publisher: Random House, Inc./Vinatge, Published: 2002
Fictionwise Release Date: June 2002


21 Reader Ratings:
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Available eBook Formats [Secure eReader (recommended)/Mobipocket/Microsoft Reader/Adobe - What's this?]: SECURE MOBIPOCKET FORMAT [282 KB], SECURE MICROSOFT READER FORMAT [233 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE EREADER (RECOMMENDED) FORMAT [213 KB], SECURE ADOBE FORMAT [601 KB], OEBFF Format (IMP) [420 KB]
Words: 90000
Reading time: 257-360 min.
Secure Adobe: Printing DISABLED, Read-aloud DISABLED
Other formats: Printing DISABLED, Read-aloud DISABLED
Microsoft Reader ISBN, Adobe Acrobat Reader ISBN, MobiPocket Reader ISBN, eReader (recommended) ISBN: 9781400030187


"Raymond Chandler is a master."--The New York Times

"[Chandler] wrote as if pain hurt and life mattered."--The New Yorker

"Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious."--Robert B. Parker, The New York Times Book Review

"Philip Marlowe remains the quintessential urban private eye."--Los Angeles Times

"Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist."--The Boston Book Review

"Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler's prose. . . . He wrote like an angel."--Literary Review

"[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision."--Joyce Carol Oates, The New York Review of Books

"Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence."--Ross Macdonald

"Raymond Chandler is a star of the first magnitude."--Erle Stanley Gardner

"Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since."--Paul Auster

"[Chandler]'s the perfect novelist for our times. He takes us into a different world, a world that's like ours, but isn't. "--Carolyn See


ONE

The Treloar Building was, and is, on Olive Street, near Sixth, on the west side. The sidewalk in front of it had been built of black and white rubber blocks. They were taking them up now to give to the government, and a hatless pale man with a face like a building superintendent was watching the work and looking as if it was breaking his heart.

I went past him through an arcade of specialty shops into a vast black and gold lobby. The Gillerlain Company was on the seventh floor, in front, behind swinging double plate glass doors bound in platinum. Their reception room had Chinese rugs, dull silver walls, angular but elaborate furniture, sharp shiny bits of abstract sculpture on pedestals and a tall display in a triangular showcase in the corner. On tiers and steps and islands and promontories of shining mirror-glass it seemed to contain every fancy bottle and box that had ever been designed. There were creams and powders and soaps and toilet waters for every season and every occasion. There were perfumes in tall thin bottles that looked as if a breath would blow them over and perfumes in little pastel phials tied with ducky satin bows, like the little girls at a dancing class. The cream of the crop seemed to be something very small and simple in a squat amber bottle. It was in the middle at eye height, had a lot of space to itself, and was labeled Gillerlain Regal, The Champagne of Perfumes. It was definitely the stuff to get. One drop of that in the hollow of your throat and the matched pink pearls started falling on you like summer rain.

A neat little blonde sat off in a far corner at a small PBX, behind a railing and well out of harm's way. At a flat desk in line with the doors was a tall, lean, dark-haired lovely whose name, according to the tilted embossed plaque on her desk, was Miss Adrienne Fromsett.

She wore a steel gray business suit and under the jacket a dark blue shirt and a man's tie of lighter shade. The edges of the folded handkerchief in the breast pocket looked sharp enough to slice bread. She wore a linked bracelet and no other jewelry. Her dark hair was parted and fell in loose but not unstudied waves. She had a smooth ivory skin and rather severe eyebrows and large dark eyes that looked as if they might warm up at the right time and in the right place.

I put my plain card, the one without the tommy gun in the corner, on her desk and asked to see Mr. Derace Kingsley. She looked at the card and said: "Have you an appointment?"

"No appointment."

"It is very difficult to see Mr. Kingsley without an appointment."

That wasn't anything I could argue about.

"What is the nature of your business, Mr. Marlowe?"

"Personal."

"I see. Does Mr. Kingsley know you, Mr. Marlowe?"

"I don't think so. He may have heard my name. You might say I'm from Lieutenant M'Gee."

"And does Mr. Kingsley know Lieutenant M'Gee?"

She put my card beside a pile of freshly typed letterheads. She leaned back and put one arm on the desk and tapped lightly with a small gold pencil.

I grinned at her. The little blonde at the PBX cocked a shell-like ear and smiled a small fluffy smile. She looked playful and eager, but not quite sure of herself, like a new kitten in a house where they don't care much about kittens.

"I'm hoping he does," I said. "But maybe the best way to find out is to ask him."

She initialed three letters rapidly, to keep from throwing her pen set at me. She spoke again without looking up.

"Mr. Kingsley is in conference. I'll send your card in when I have an opportunity."

I thanked her and went and sat in a chromium and leather chair that was a lot more comfortable than it looked. Time passed and silence descended on the scene. Nobody came in or went out. Miss Fromsett's elegant hand moved over her papers and the muted peep of the kitten at the PBX was audible at moments, and the little click of the plugs going in and out.

I lit a cigarette and dragged a smoking stand beside the chair. The minutes went by on tiptoe, with their fingers to their lips. I looked the place over. You can't tell anything about an outfit like that. They might be making millions, and they might have the sheriff in the back room, with his chair tilted against the safe.

Half an hour and three or four cigarettes later a door opened behind Miss Fromsett's desk and two men came out backwards laughing. A third man held the door for them and helped them laugh. They all shook hands heartily and the two men went across the office and out. The third man dropped the grin off his face and looked as if he had never grinned in his life. He was a tall bird in a gray suit and he didn't want any nonsense.

"Any calls?" he asked in a sharp bossy voice.

Miss Fromsett said softly: "A Mr. Marlowe to see you. From Lieutenant M'Gee. His business is personal."

"Never heard of him," the tall man barked. He took my card, didn't even glance at me, and went back into his office. His door closed on the pneumatic closer and made a sound like "phooey." Miss Fromsett gave me a sweet sad smile and I gave it back to her in the form of an obscene leer. I ate another cigarette and more time staggered by. I was getting to be very fond of the Gillerlain Company.

Ten minutes later the same door opened again and the big shot came out with his hat on and sneered that he was going to get a hair-cut. He started off across the Chinese rug in a swinging athletic stride, made about half the distance to the door and then did a sharp cutback and came over to where I was sitting.

"You want to see me?" he barked. He was about six feet two and not much of it soft. His eyes were stone gray with flecks of cold light in them. He filled a large size in smooth gray flannel with a narrow chalk stripe, and filled it elegantly. His manner said he was very tough to get along with.

I stood up. "If you're Mr. Derace Kingsley."

"Who the hell did you think I was?"

I let him have that trick and gave him my other card, the one with the business on it. He clamped it in his paw and scowled down at it. "Who's M'Gee?" he snapped.

"He's just a fellow I know."

"I'm fascinated," he said, glancing back at Miss Fromsett. She liked it. She liked it very much. "Anything else you would care to let drop about him?"

"Well, they call him Violets M'Gee," I said. "On account of he chews little throat pastilles that smell of violets. He's a big man with soft silvery hair and a cute little mouth made to kiss babies with. When last seen he was wearing a neat blue suit, wide-toed brown shoes, gray homburg hat, and he was smoking opium in a short briar pipe."

"I don't like your manner," Kingsley said in a voice you could have cracked a Brazil nut on.

"That's all right," I said. "I'm not selling it."

He reared back as if I had hung a week-old mackerel under his nose. After a moment he turned his back on me and said over his shoulder:

"I'll give you exactly three minutes. God knows why."

He burned the carpet back past Miss Fromsett's desk to his door, yanked it open and let it swing to in my face. Miss Fromsett liked that too, but I thought there was a little sly laughter behind her eyes now.

Copyright © 1943 by Raymond Chandler


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