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The Disembodied Man: The Classic SF Short Story [MultiFormat]
eBook by Larry Maddock

  Regular     Club
You Pay:  $0.99     $0.84

eBook Category: Science Fiction/Fantasy
eBook Description: One of the Author's Only Four SF Short Stories--Lost for Almost Fifty Years! From the creator of Hannibal Fortune, Webley, and T.E.R.R.A., come one of the rarest stories in science fiction history. Published only once in Imagination Science Fiction Stories in the early 1950s, here is an intricate puzzler with two O'Henry-like twists, more than a pinch of humor, and a full measure of romance. Who was the disembodied man? How had he gotten that way? And who was the mysterious woman who watched over him? Take a walk on the wild side of Larry Maddock's head. Larry Maddock is the author of The Nymph and the Satyr, The Mind Monsters, and Unaccustomed as I am to Public Dying.

eBook Publisher: Renaissance E Books/PageTurner, Published: 2006
Fictionwise Release Date: January 2006


21 Reader Ratings:
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Available eBook Formats [MultiFormat - What's this?]: Adobe Acrobat (PDF) [363 KB], eReader (PDB) [49 KB], Palm Doc (PDB) [21 KB], Rocket/REB1100 (RB) [20 KB], Microsoft Reader (LIT) [83 KB] - PocketPC 1.0+ Compatible, Franklin eBookMan (FUB) [94 KB], hiebook (KML) [128 KB], Sony Reader (LRF) [104 KB], iSilo (PDB) [18 KB], Mobipocket (PRC) [22 KB], Kindle Compatible (MOBI) [73 KB], OEBFF Format (IMP) [35 KB]
Words: 5928
Reading time: 16-23 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Adobe Acrobat (PDF) Format:  Printing DISABLED, Read-Aloud ENABLED
All Other formats: Printing DISABLED, Read-aloud DISABLED


INTRODUCTION

Jack Owen Jardine was born October 10th, 1931, and his writing career was preceded by several years in radio as a disc jockey and creative director. Larry Maddock is the penname under which this humorist and social critic Jardine wrote science fiction and mystery stories from the 1950s through the 1960s. As Larry Maddock he may be best remembered for his highly-acclaimed Agent of T.E.R.R.A. series, featuring the exploits of debonair, time-traveling secret agent Hannibal Fortune and his sardonic, shape-changing alien colleague Webley. During the same period, under the names Arthur Farmer and Harry Barsted, he produced a series of classic ultra-softcore erotic novels whose titles typify their era, including Lesbo Lodge, The Nymph and the Satyr, Gay Divorcees, Malibu Nymphs, Love Me, and Sin Ship. After the nineteen sixties he concentrated on non-fiction essays about human sexuality written under his own name. Throughout the seventies he could frequently be found at various Southern California Science Fiction conventions as a participant in panel discussions of topics related to professional science fiction writing, as well as the future of human sexuality, often sharing the platform with such luminaries as Larry Niven, William Rotsler, Robert Silverberg, Norman Spinrad, and Theodore Sturgeon, to name a few. Although Jardine has recently announced his intent to retire from writing, he remains active in the area of computer animation and devotes his time to creating experimental animations on his desktop computer and enjoying the leisurely 'good life' in beautiful Northern California.

"The Disembodied Man" is one of only four short stories Jardine wrote. The other three feature Webley before he was recruited as an agent of T.E.R.R.A. Unusually for this author, "The Disembodied Man" is romantic, upbeat science fiction and contains at least two O'Henry-like twists ... After reading it, we think you'll agree that Jardine's decision to retire and failure to write additional science fiction short stories (under any name) is a major loss to readers...

THE EDITORS

* * * *

Here is how the original magazine blurb in the April 1954 issue of Imagination described the story: "George remembered riding an the El with the sad girl across from him. Then there was nothing-nothing but blackness, and a voice..."

THIS, he thought, is a crazy way to die.

"You're not dying, George. You're just beginning to live."

He started, tried to see her. I didn't say anything!

"Yes you did," she insisted, in that same low voice. "You said, 'This is a crazy way to die-"'

George tried to prop himself up on his elbows-but suddenly he realized that he had no elbows!

"Don't worry, George. Just rest. You'll be all right."

How-where am I?

"Just rest," she repeated, and then she was gone. George thought about her for a long time, before dropping off to sleep.

* * * *

It was a cold night, and lonely, for George Jameson. He paced the floor of his apartment, back and forth, into the kitchen, into the hall, through the bedroom, back and forth.

"God!" he said, although there was no one there to hear him. "Two years! And where am I?"

Angrily, he reached for his coat. Maybe some fresh air would do him good. He buttoned the coat, fumbled for his overcoat.

Then he walked outdoors.

It was snowing. The clean, white, slippery kind of snow that stays for a while, then quickly turns into Chicago slush. Instinctively, he turned his collar up against the cold, and headed for the El, a sentimental relic of the 20th century just past.

The snow was coming down in big, lazy flakes that caught themselves in the wind and buffeted against his overcoat. Streetlights cast weird shadows across the white. George could hear the faint crunch-crunch his shoes made. Half-turning he looked at his tracks behind him.

"Damn white stuff!" He hunched his shoulders more, pulled his neck down into the folds of his collar. "Puts a pure clean blanket over the whole world-but all you have to do is walk on it and you can see the dirt underneath!"

George climbed the steps to the elevated, bought a ticket to anywhere. Then he sat down and waited for a train.

There was a girl waiting with him. She was pretty. George watched her until the train pulled in, wondering what she was doing wandering around Chicago at this time of night.

She got on the train with him, sat down in the seat across from him. The train whined into motion.

"Hello," she said after a while.

"Hello," he replied, startled by her voice. People on elevated trains don't go around saying "hello" to each other!

"Do you mind awfully much if I talk to you?"

"Go ahead." Nor, he thought, do they ask such questions of strange men.

"Do you ever get lonely here in Chicago?"

George smiled. "Sometimes," he said, "You lonely, kid?"

"Awfully. I like to talk to strangers. Then I don't feel quite so lonely."

"Oh"

She was quiet for a minute, her eyes friendly, but her trim body stiff against the city.

"Don't let the town get you down, kid." He was giving her advice!

She looked at him wistfully. "Maybe it's not so bad. Only the people who are fitted to live in a world like this keep on living. There are a lot of people who don't see it the way we do."

"Could be." She was a strange girl, he thought, to be talking this way. Young, pretty, and fed up already. "Why do you ride the El at night?" he asked.

She smiled. "I can meet people--other lonely people--who don't know me and don't want to pry. I can talk to people, and learn things. And then I never see them again. I can't talk to people in a crowd."

Through the windows he could see the lights of a sleeping city flash by like speeding fireflies. "Never thought of it that way," he said.

Suddenly, without warning, the hurtling elevated car leaped under him. He was thrown to the floor as the car jumped the tracks and twisted upon itself. George saw the lights go off and heard the girl scream--and then her scream was cut off, sharply, by the grinding, tearing crunch of impact.

Blackness.


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