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From Our Point of View We Had Moved to the Left [MultiFormat]
eBook by William Shunn
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eBook Category: Science Fiction Locus Recommended Reading List
eBook Description: It's January 2009, and the boys of the Nathaniel Hawthorne Memorial Academy Concert Choir have traveled all the way from New Hampshire to sing at the presidential inauguration. But Washington has a way of turning even the most innocent performance into something sinisterly political.
eBook Publisher: Fictionwise.com, Published: The Magazine of Fantasy and Science Fiction, 1993
Fictionwise Release Date: April 2006
9 Reader Ratings:
Available eBook Formats [MultiFormat - What's this?]: eReader (PDB) [34 KB]
, ePub (EPUB) [30 KB]
, Rocket/REB1100 (RB) [20 KB]
, Adobe Acrobat (PDF) [215 KB]
, Palm Doc (PDB) [21 KB]
, Microsoft Reader (LIT) [80 KB]
, Franklin eBookMan (FUB) [93 KB]
, hiebook (KML) [103 KB]
, Sony Reader (LRF) [49 KB]
, iSilo (PDB) [18 KB]
, Mobipocket (PRC) [22 KB]
, Kindle Compatible (MOBI) [50 KB]
, OEBFF Format (IMP) [32 KB]
Words: 6092 Reading time: 17-24 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Portable Document Format (PDF) Format: Printing DISABLED, Read-Aloud DISABLED All Other formats: Printing DISABLED, Read-aloud DISABLED

Lights, camera, action! And a political tale unfolds. A pacing choral director, a rearranged choir formation, boyhood tomfoolery, and confusion spreads into the future. One long last laugh. -Eugen Bacon, Fictionwise Recommender

"...a political fable about near-future America as odd as its perfectly appropriate title."--The New York Review of Science Fiction

In the end I suppose it was nobody's fault, but the temptation to assign guilt remains great even today. Taking all the blame for ourselves is especially easy, painfully so. We were only kids then, of course, but we erased a man's career, a man's life. And in the same moment, the face of an entire nation was changed. It leaves a powerful impression on a child to be part of such a thing.
Each time I learn of another quiet blacklisting, or disappearance, or imprisonment, I feel that same familiar burden of guilt drop onto my shoulders. The fact that it has become familiar does nothing to lessen its impact. It may be an irrational thought, but at such moments I can't shake the feeling that, had that first incident with Mr. Kemmelman never taken place, we might have been spared all the madness that has followed.
I believe the others feel the same way. We rarely speak of it, but I see it in their eyes.
We are haunted, all of us, by a misunderstanding.
* * * *
It happened on a crisp winter day back in '09, the sun blazing high in a sky as blue as glacial ice. Thousands of shivering spectators thronged the Capitol grounds and the Mall beyond, spilling across Constitution Avenue on the north and Independence Avenue on the south. From our vantage to the left of the Presidential grandstand, the crowd seemed to stretch away like a vast sea, its surface crisscrossed by swells and surges that broke against the security cordon below us like surf against a desert island. The Washington Monument rose in the middle distance, stately and imposing even from Capitol Hill, while at the limits of our vision gleamed the quicksilver waters of the Potomac. History was in the making that day, bearing us along like the barges on that river--but only a few of those present, I am certain, could have foreseen the black waters ahead.
A stirring march from the Marine Corps Band, seated on risers to the right of the grandstand, blared across the Mall from floating loudspeakers arrayed in a broad grid above the crowd. Our choral director, Mr. Kemmelman, tramped back and forth through the snow before our own risers in a rhythm at odds with the music, his heavy face creased in a frown. Inscrutable Secret Service agents rimmed the cordoned area like stone sentries, on occasion speaking into their wrist radios, while harried White House personnel scurried to and fro on obscure errands. Mr. Kemmelman's pacing hardly stood out amid all that organized chaos, but we in the choir sensed it keenly.
An intense, brooding cloud hung over our director. This, together with the fear, the respect, and even the love with which we regarded him, only tightened our own nerves like piano wire. "I wish he'd sit down," I whispered. "He's making me nervous."
I was squeezed onto the risers between my friends Charlie and Hughie. Charlie nodded, narrowed his dark eyes, and said, "Know what he looks like, Ben?"
"No, what?"
"A big melted candle. With legs."
He was right. We had seen old photographs hanging on the walls of Mr. Kemmelman's office, portraying a large young man with a square face, its features blunt as if hewn from stone. Dark, slightly protuberant eyes lent that young man the deceptive aspect of a droop-lidded hound, and thick curly hair the color of peanut butter matted his head. In the time since those photographs had been taken, however, age had treated the man before us as flame might treat a fat tallow candle. With his chin pressed down to his collar, his jowls lay in folds about his jaw like layered wax drippings. His heavy cheeks sagged like empty pouches, and his sad, baggy eyes seemed in danger of sliding down his face. His forehead was smooth as bone, as if scoured clean by wind and rain. The effect of all this, together with his pacing, was one of subdued urgency. I imagined him anxiously trying to finish his day's business before bubbling down into a shapeless puddle of wax.
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