Four blocks behind the Library of Congress, just past Southeast A and Fourth Street (one door from the corner), is a white stucco three-story building. Nestled in among the other town houses, it would be unnoticeable if not for its color. The clean brightness stands out among the fading reds, grays, greens, and occasional off-whites. Then, too, the short black iron picket fence and the small, neatly trimmed lawn lend an aura of quiet dignity the other buildings lack. However, few people notice the building. Residents of the area have long since blended it into the familiar neighborhood. The dozens of Capitol Hill and Library of Congress workers who pass it each day don't have time to notice it, and probably wouldn't even if they had time. Located where it is, almost off "the Hill," most of the tourist hordes never come close to it. The few who do are usually looking for a policeman to direct them out of the notoriously rough neighborhood to the safety of national monuments.

If a passerby (for some strange reason) is attracted to the building and takes a closer look, his investigation would reveal very little out of the ordinary. As he stood outside the picket fence, he would probably first note a raised bronze plaque, about three feet by two feet, which proclaims the building to be the national headquarters of the American Literary Historical Society. In Washington, D.C., a city of hundreds of landmarks and headquarters for a multitude of organizations, such a building is not extraordinary. Should the passerby have an eye for architecture and design, he would be pleasantly intrigued by the ornate black wooden door flawed by a curiously large peephole. If our passerby's curiosity is not hampered by shyness, he might open the gate. He probably will not notice the slight click as the magnetic hinge moves from its resting place and breaks an electric circuit. A few short paces later, our passerby mounts the black iron steps to the stoop and rings the bell.

If, as is usually the case, Walter is drinking coffee in the small kitchen, arranging crates of books, or sweeping the floor, then the myth of security is not even flaunted. The visitor hears Mrs. Russell's harsh voice bellow "Come in!" just before she punches the buzzer on her desk releasing the electronic lock.

The first thing a visitor to the Society's headquarters notices is its extreme tidiness. As he stands in the stairwell, his eyes are probably level with the top of Walter's desk, a scant four inches from the edge of the well. There are never any papers on Walter's desk, but then, with a steel reinforced front, it was never meant for paper. When the visitor turns to his right and climbs out of the stairwell, he sees Mrs. Russell. Unlike Walter's work area, her desk spawns paper. It covers the top, protrudes from drawers, and hides her ancient typewriter. Behind the processed forest sits Mrs. Russell. Her gray hair is thin and usually disheveled. In any case, it is too short to be of much help to her face. A horseshoe-shaped brooch dated 1932 adorns what was once a left breast. She smokes constantly.

Strangers who get this far into the Society's headquarters (other than mailmen and delivery boys) are few in number. Those few, after being screened by Walter's stare (if he is there), deal with Mrs. Russell. If the stranger comes for business, she directs him to the proper person, provided she accepts his clearance. If the stranger is merely one of the brave and curious, she delivers a five-minute, inordinately dull lecture on the Society's background of foundation funding, its purpose of literary analysis, advancement, and achievement (referred to as "the 3 A's"), shoves pamphlets into usually less-than-eager hands, states that there is no one present who can answer further questions, suggests writing to an unspecified address for further information, and then bids a brisk "Good day."

Visitors are universally stunned by this onslaught and leave meekly, probably without noticing the box on Walter's desk which took their picture or the red light and buzzer above the door which announces the opening of the gate. The visitor's disappointment would dissolve into fantasy should he learn that he had just visited a section branch office of a department in the Central Intelligence Agency's Intelligence Division.

The National Security Act of 1947 created the Central Intelligence Agency, a result of the World War II experience of being caught flat-footed at Pearl Harbor. The Agency, or the Company, as many of its employees call it, is the largest and most active entity in the far-flung American intelligence network, a network composed of eleven major agencies, around two hundred thousand persons, and annually budgeted in the billions of dollars. The CIA's activities, like those of its major counterparts -- Britain's MI6, Russia's KGB, and Red China's Social Affairs Department -- range through a spectrum of covert espionage, technical research, the funding of loosely linked political action groups, support to friendly governments, and direct paramilitary operations. The wide variety of activities of these agencies, coupled with their basic mission of national security in a troubled world, has made the intelligence agency one of the most important branches of government. In America, former CIA Director Allen Dulles once said, "The National Security Act of 1947... has given Intelligence a more influential position in our government than Intelligence enjoys in any other government of the world."

The main activity of the CIA is simple, painstaking research. Hundreds of researchers daily scour technical journals, domestic and foreign periodicals of all kinds, speeches, and media broadcasts. This research is divided between two of the four divisions of the CIA. The Research Division (RD) is in charge of technical intelligence, and its experts provide detailed reports of the latest scientific advances in all countries, including the United States and its allies. The Intelligence Division (ID) engages in a highly specialized form of scholastic research. About 80 percent of the information ID handles comes from "open" sources: public magazines, broadcasts, journals, and books. ID digests its data and from this fare produces three major types of reports: one type makes long-range projections dealing with areas of interest, a second is a daily review of the current world situation, and the third tries to detect gaps in CIA activities. The research gathered by both ID and RD is used by the other two divisions: Support (the administrative arm which deals with logistics, equipment, security, and communications) and Plans (all covert activities, the actual spying division).

The American Literary Historical Society, with headquarters in Washington and a small receiving office in Seattle, is a section branch of one of the smaller departments in the CIA. Because of the inexact nature of the data the department deals with, it is only loosely allied to ID, and, indeed, to CIA as a whole. The department (officially designated as Department 17, CIAID) reports are not consistently incorporated in any one of the three major research report areas. Indeed, Dr. Lappe, the very serious, very nervous head of the Society (officially titled Section 9, Department 17, CIAID), slaves over weekly, monthly, and annual reports which may not even make the corresponding report of mother Department 17. In turn, Department 17 reports often will not impress major group coordinators on the division level and thus will fail to be incorporated into any of the ID reports. C'est la vie.