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The Water is Wide [Secure Mobipocket/Microsoft Reader/Adobe Reader 7]
eBook by Pat Conroy

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eBook Description: Readers know Pat Conroy as a novelist of great reputation and success, but his first notable achievement as a writer was an autobiographical book called The Water is Wide, published in 1972--the story of a year in his life as a teacher of poor African-American children on a coastal island in South Carolina. The New York Times called The Water is Wide "a hell of a good story," and that observation points to one of Conroy's supreme gifts as a writer of fiction--the ability to craft an irresistible narrative. In his later novels, Conroy has used details from his own life and experience, though The Water Is Wide is vibrantly told in the first person by Conroy himself. After graduating from The Citadel, Conroy returned to Beaufort, S.C., to teach in the same high school he attended a few years earlier. The time was the late 1960s, and his idealism and his frustration with the complacent world to which he had returned soon inspired him to apply to the Peace Corps. The Peace Corps did not respond, so he impulsively decided to go after an unusual job he had heard about--teaching virtually illiterate children in an old-fashioned school house on Yamacraw Island, reached only by boat, a sad but lushly beautiful place the 20th century had almost completely bypassed. Whatever he expected, what Conroy found on Yamacraw was far worse. The school received little in the way of support, financially or otherwise, and the situation forced Conroy to improvise wildly as a teacher. His students never seemed to grasp his name, so he became known as "Conrack." He spent a year teaching on Yamacraw, succeeding sometimes by teasing and cajoling his demoralized students into learning and even getting excited about a world beyond their misery on the island. Inevitably, he was too successful--his freewheeling methods and exuberant energy alarmed the school authorities, who fired him. The experience clearly transformed Conroy, as it must have transformed the children he taught, though he had few illusions in the end. "Of the Yamacraw children I can say little," he wrote in conclusion, "For them I leave a single prayer: that the river is good to them in the crossing."

eBook Publisher: RosettaBooks, Published: 2002
Fictionwise Release Date: October 2002


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Available eBook Formats [Secure Mobipocket/Microsoft Reader/Adobe Reader 7 - What's this?]: SECURE MOBIPOCKET FORMAT (420 KB], SECURE MICROSOFT READER FORMAT (579 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE ADOBE READER 7 FORMAT (808 KB]
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MobiPocket Reader ISBN: 079530076X
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eReader (recommended) ISBN: 0795300751
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Chapter 1

The southern school superintendent is a kind of remote deity who breathes the purer air of Mount Parnassus. The teachers see him only on those august occasions when they need to be reminded of the nobility of their calling. The powers of a superintendent are considerable. He hires and fires, manipulates the board of education, handles a staggering amount of money, and maintains the precarious existence of the status quo. Beaufort, South Carolina's superintendent Dr. Henry Piedmont, had been in Beaufort for only a year when I went to see him. He had a reputation of being tough, capable, and honest. A friend told me that Piedmont took crap from no man.

I walked into his office, introduced myself, chatted briefly, then told him I wanted to teach on Yamacraw Island. He gave me a hard stare and said, "Son, you are a godsend." I sat in the chair rigidly analyzing my new status. "I have prayed at night," he continued, "for an answer to the problems confronting Yamacraw Island. I have worried myself almost sick. And to think you would walk right into my office and offer to teach those poor colored children on that island. It just goes to show you that God works in mysterious ways."

"I don't know if God had anything to do with it, Doctor. I applied for the Peace Corps and haven't heard. Yamacraw seemed like a viable alternative."

"Son, you can do more good at Yamacraw than you could ever do in the Peace Corps. And you would be helping Americans, Pat. And I, for one, think it's very important to help Americans."

"So do I, Doctor."

We chatted on about the problems of the island. Then he said, "You mentioned that God had nothing to do with your decision to go to Yamacraw, Pat. You remind me of myself when I was your age. Of course, I came up the hard way. My folks worked in a mill. Good people, both of them. Simple people, but God-fearing. My mother was a saint. A saint on earth. I worked in the mill, too. Even after I graduated from college, I went back to the mill in a supervisory capacity. But I wasn't happy, Pat. Something was missing. One night I was working late at the mill. I stepped outside the mill and looked up at the stars. I went toward the edge of the forest and fell to my knees. I prayed to Jesus and asked him what he wanted me to do in my life. And do you know what?"

"No, sir, what?"

Then Dr. Piedmont leaned forward in his seat, his eyes transformed with spiritual intensity.

"He told me what to do that very night. He told me, 'Henry, leave the mill. Go into education and help boys to go to college. Help them to be something. Go back to school, Henry, and get an advanced degree.' So I went to Columbia University, one of the great universities of the world. I emerged with a doctorate. I was the first boy from my town who was ever called Doctor."

I added wittily, "That's nice, Doctor."

"You remind me of that boy I was, Pat. Do you know why you came to me today?"

"Yes, sir, I want to teach at Yamacraw."

"No, son. Do you know the real reason?'

"No, sir, I guess I don't."

"Jesus,' he said, as if he just found out the stone had been rolled back from the tomb. "You're too young to realize it now, but Jesus made you come to me today."

I left his office soon afterward. He had been impressive. He was a powerful figure, very controlled, almost arrogantly confident in his abilities. He stared at me during our entire conversation. From experience I knew his breed. The mill-town kid who scratched his way to the top. Horatio Alger, who knew how to floor a man with a quick chop to the gonads. He was a product of the upcountry of South Carolina, the Bible Belt, sand-lot baseball, knife fights under the bleachers. His pride in his doctorate was almost religious. It was the badge that told the world that he was no longer a common man. Intellectually, he was a thoroughbred. Financially, he was secure. And Jesus was his backer. Jesus, with the grits-and-gravy voice, the shortstop on the mill team, liked ol' Henry Piedmont.

Yamacraw is an island off the South Carolina mainland not far from Savannah, Georgia. The island is fringed with the green, undulating marshes of the southern coast; shrimp boats ply the waters around her and fishermen cast their lines along her bountiful shores. Deer cut through her forests in small silent herds. The great southern oaks stand broodingly on her banks. The island and the waters around her teem with life. There is something eternal and indestructible about the tide-eroded shores and the dark, threatening silences of the swamps in the heart of the island. Yamacraw is beautiful because man has not yet had time to destroy this beauty.

The twentieth century has basically ignored the presence of Yamacraw. The island is populated with black people who depend on the sea and their small farms for a living. Several white families live on the island in a paternalistic, but in many ways symbiotic, relationship with their neighbors. Only one white family actively participates in island life to any perceptible degree. The other three couples have come to the island to enjoy their retirement in the obscurity of the island's remotest corners. Thus far, no bridge connects the island with the mainland, and anyone who sets foot on the island comes by water. The roads of the island are unpaved and rutted by the passage of ox carts, still a major form of transportation. The hand pump serves up questionable water to the black residents who live in their small familiar houses. Sears, Roebuck catalogues perform their classic function in the crudely built privies, which sit, half-hidden, in the tall grasses behind the shacks. Electricity came to the island several years ago. There is something unquestionably moving about the line of utility poles coming across the marsh, moving perhaps because electricity is a bringer of miracles and the journey of the faceless utility poles is such a long one-- and such a humane one. But there are no telephones (electricity is enough of a miracle for one century). To call the island you must go to the Beaufort Sheriff's Office and talk to the man who works the radio. Otherwise, Yamacraw remains aloof and apart from the world beyond the river.

It is not a large island, nor an important one, but it represents an era and a segment of history that is rapidly dying in America. The people of the island have changed very little since the Emancipation Proclamation. Indeed, many of them have never heard of this proclamation. They love their island with genuine affection but have watched the young people move to the city, to the lands far away and far removed from Yamacraw. The island is dying, and the people know it.

In the parable of Yamacraw there was a time when the black people supported themselves well, worked hard, and lived up to the sacred tenets laid down in the Protestant ethic. Each morning the strong young men would take to their bateaux and search the shores and inlets for the large clusters of oysters, which the women and old men in the factory shucked into large jars. Yamacraw oysters were world famous. An island legend claims that a czar of Russia once ordered Yamacraw oysters for an imperial banquet. The white people propagate this rumor. The blacks, for the most part, would not know a czar from a fiddler crab, but the oysters were good, and the oyster factories operating on the island provided a substantial living for all the people. Everyone worked and everyone made money. Then a villain appeared. It was an industrial factory situated on a knoll above the Savannah River many miles away from Yamacraw. The villain spewed its excrement into the river, infected the creeks, and as silently as the pull of the tides, the filth crept to the shores of Yamacraw. As every good health inspector knows, the unfortunate consumer who lets an infected oyster slide down his throat is flirting with hepatitis. Someone took samples of the water around Yamacraw, analyzed them under a microscope, and reported the results to the proper officials. Soon after this, little white signs were placed by the oyster banks forbidding anyone to gather the oysters. Ten thousand oysters were now as worthless as grains of sand. No czar would order Yamacraw oysters again. The muddy creatures that had provided the people of the island with a way to keep their families alive were placed under permanent quarantine.

Since a factory is soulless and faceless, it could not be moved to understand the destruction its coming had wrought. When the oysters became contaminated, the island's only industry folded almost immediately. The great migration began. A steady flow of people faced with starvation moved toward the cities. They left in search of jobs. Few cities had any intemperate demand for professional oyster-shuckers, but the people were somehow assimilated. The population of the island diminished considerably. Houses surrendered their tenants to the city and signs of sudden departure were rife in the interiors of deserted homes. Over 300 people left the island. They left reluctantly, but left permanently and returned only on sporadic visits to pay homage to the relatives too old or too stubborn to leave. As the oysters died, so did the people.

My neck has lightened several shades since former times, or at least I like to think it has. My early years, darkened by the shadows and regional superstitions of a bona fide cracker boy, act as a sobering agent during the execrable periods of self-righteousness that I inflict on those around me. Sometimes it is good for me to reflect on the Neanderthal period of my youth, when I rode in the backseat of a '57 Chevrolet along a night-blackened Carolina road hunting for blacks to hit with rotten watermelons tossed from the window of the speeding car, as they walked the shoulder of thin backroads. We called this intrepid form of entertainment "nigger-knocking," and it was great fun during the carnival of blind hatred I participated joyfully in during my first couple of years in high school.

Those were the years when the word nigger felt good to my tongue, for my mother raised her children to say colored and to bow our heads at the spoken name of Jesus. My mother taught that only white trash used the more explosive, more satisfying epithet to describe black people. Nigger possessed the mystery and lure of forbidden fruit and I overused it in the snickering clusters of white friends who helped my growing up.

The early years were nomadic ones. Dad's pursuit of greatness in the Marine Corps carried us into some of the more notable swamplands of the East Coast. I attended Catholic schools with mystical names like the Infant of Prague and the Annunciation, as Dad transferred from Marine base to desolate Marine base, or when we retired to my mother's family home in Atlanta when the nation called my father to war. Mom's people hailed originally from the northeast mountains of Alabama, while Dad's greased the railroad cars in Chicago, but attitudinally they could have used the same sheet at a Klan rally.

I loved the smooth-watered fifties, when I worried about the top-ten tunes and the homecoming queen, when I looked to Elvis for salvation, when the sharp dichotomy between black and white lay fallow and unchallenged, and when the World Series still was the most critical event of the year. The sixties brought this spindly-legged dream to its knees and the fall of the dream buried the joy of that blue-eyed youth forever.

Yet there were days that haunted the decade and presaged the tumultuous changes of the later sixties. By some miracle of chance, I was playing a high school basketball game in Greensboro, North Carolina, on the day that black students entered a dime store for the first nationally significant sit-in demonstration. I was walking past the store on the way to my hotel when I heard the drone of the angry white crowd. Word spread along the street that the niggers were up to something, and a crowd started milling around the store. With rolled-up sleeves and the Brylcreem look of the period, the mob soon became a ludicrous caricature of an entire society. The women had sharp, aquiline noses. I remember that. Everyone was surprised and enraged by the usurpation of this inalienable Caucasian right to park one's ass on a leather stool and drink a Coke. I moved quickly out of the area, following a Conroy law of survival that says that restless mobs have a way of drawing trouble and cops-- although the cops would not have bothered me on this day, I realized later. It would be nice to report that this event transformed me into a crusader for civil rights, but it did not. It did very little to me.

I moved to Beaufort, South Carolina, in the early sixties, a town fed by warm salt tides and cooled by mild winds from the sea; a somnolent town built on a high bluff where a river snaked fortuitously. I was tired of moving every year, of changing home and environment with every new set of orders, of uprooting simply because my father was a nomad traveling under a different name and occupation. So we came to Beaufort, a town I grew to love with passion and without apology for its serenity, for its splendidly languid pace, and for its profound and infinite beauty. It was a place of hushed, fragrant gardens, silent streets, and large ante-bellum houses. My father flew jets in its skies and I went to the local segregated high school, courted the daughter of the Baptist minister, and tried to master the fast break and the quick jump shot. I lived in the security of a town founded in the sixteenth century, but in the world beyond it walked John F. Kennedy, the inexorable movement of black people coming up the road in search of the promised American grail, the television performances of Bull Connor, the snarling dogs, the fire hoses, the smoking names of Montgomery, Columbus, Monroe, and Birmingham.

Having cast my lot with Beaufort, I migrated to college seventy miles up the road. I entered The Citadel, the military college of South Carolina, where for four years I marched to breakfast, saluted my superiors, was awakened by bugles, and continued my worship of the jock, the basketball, and the school fight song, "Dixie." For four years I did not think about the world outside the gates. Myopic and color blind, I could not be a flashy, ascotted pilot like my father, so I opted for teaching and Beaufort. At graduation I headed back down Highway 17 to begin my life teaching in the same high school that had spewed me forth several years before. But there was a difference this time: the purity of the student body was forever tainted. Thanks to the dastardly progression of law, black students now peppered the snow-white Elysium that once had harbored me.

I loved teaching in high school. I dwelt amidst the fascists and the flag-wavers in relative obscurity and I liked the students, who daily trooped into my class chewing gum and popping pimples. Painfully aware of my youth, I tried to belie my twenty-one years by acting mature and seasoned by experience. My act held up, until one horrid day when I asked a government class what was causing the peculiar smell that hovered in the room. A sharp-eyed pupil pointed out that I had stepped in a pile of dog crap and had tracked it around the room. Thus died maturity. I reveled in class discussion and the Socratic method of drawing substance out of calcified minds untrained to think. I would argue lamely for peace in Vietnam while my students clamored for the H-bombing of Hanoi and the subsequent obliteration of Moscow and Peking. They called me a Communist for not being pro-war; they called me a coward for my failure to rise to the defense of my country in its hour of greatest peril. When I protested that I saw very little threat posed by the government of North Vietnam to the United States, they mumbled ominously that I would eat several hundred pounds of crow when swarms of fanatical reds waded ashore at San Francisco Bay. These were children of the South just as I was. They were products of homes where the flag was cherished like Veronica's veil, where the military was the pluperfect defender of honor, justice, and hymens, and where conservatism was a mandate of life, not merely a political philosophy.

Each night I joined my best friends, George Garbade, Mike Jones, and Bernie Schein, in front of the television for the evening news. The war in Vietnam ate people on film. The seven o'clock news smoked with napalm and bodies. After the news, we held disorganized, vehement debates. George hailed from Ridgeland, South Carolina, a rural community so conservative that it made Beaufort look like a hotbed of liberalism. Mike was a divinity student who had dropped out for a year to reflect upon his impending life of spirituality among the hypocritical flocks that would be assigned to him. Bernie Schein was the twenty-three-year-old principal of a tiny school in the next county. After the news the four of us argued until the late hours of night, exposing half-hidden prejudices. We mercilessly pounced on the member of the group who dared utter a belief without foundation or without rational credibility. Those gatherings were group confessions of guilt, of cynicism, of rudderless idealism, and ultimately of hope. At the end of the year, the four of us went to Europe with our new-found credo. The world was good, we said, and it only needed minor adjustment. People were basically good, we asserted with disgusting smugness.

In Germany I toured the concentration camp at Dachau and looked at the pictures of the piled bodies, starved and faceless, being shoved by bulldozers into mass burial pits. I stared at the furnace where Jews were reduced to piles of Jewish ash and felt that I stood on holy ground, a monument to the infinite inhumanity of man and society gone insane, a ground washed by thousands of gallons of human blood, a ground astir with ghosts and memories, of Jews and Germans trapped in a drama so horrible and unreal that the world could never have the same purity again. The imprint of Dachau branded me indelibly and caused me to suffer the miscarriage of my hopeful philosophy. If man was good, then Dachau could never have happened. Simple as that. In a hotel in Paris George, Bernie, and Mike argued anew for the basic goodness of man, but I felt that I had extracted the essential message of Dachau and that our philosophy was simply an exercise of innocence and nothing more. Nor could all the paint and clay of the Louvre dim the memory of one photograph: of a mother leading her small children to the gas chamber.

I was getting tired of my own innocence. The year was 1968 and something had happened to me in April that also seemed to change my life. When the lone rifleman murdered Martin Luther King, Jr., in Memphis, the reaction among the students of Beaufort High School was explosive in its generation of raw, naked emotion. The white students, who composed the large majority of the student body, for the most part reacted passively to the event. Of course the village rednecks took vicious delight in calling Mrs. King a "black widow" and otherwise celebrating the death of this symbol of civil rights. A contingent of black students went to the principal in a futile attempt to get him to lower the flag to half-mast. Fearing community reaction, he predictably refused and closed his office to any further discussion of the matter. Since the faculty was all white, the black students walked the halls in silence, tears of frustration rolling down their cheeks and unspoken bitterness written on their faces in their inability to communicate their feelings to their white teachers.

On the day King was buried the blacks assembled at recess in their accustomed place on the breezeway at the side of the school. Apartheid was an unwritten law and there was very little crossing over. One of my duties as a teacher that year was to patrol that part of the campus where the black students congregated. It was in this capacity that I learned of the problems facing the blacks at the school. I talked and joked with them at recess, or at least I talked to most of them. One small, articulate group of girls eyed me with unconcealed hostility the entire year and I knew intuitively that in all their lives they would never approach a white man teacher without suspicion. I heard one of them say once that "only stupid nigger boys talk to Conroy."

On this momentous, hysteric day, however, these girls came for me. I was talking to some of the boys and did not immediately see the girls as they swarmed around me. The first to speak was Lily Smalls, a huge, imposing woman who the year before had beaten the hell out of a white girl who had made the mistake of calling her nigger. People still called her nigger but they made damn sure that Lily was not within earshot when they did. Lily shouted at me, "What are you doing here, white man? You sent here by the white man to make sure we don't do anything de-structive?" Her friend Liz had inched closer to me and I felt the hot moisture of her breath on my neck. She sprayed me with spittle as she yelled, "Why don't you get back with the rest of those honkies and let us cry in peace? We don't need you to tell us how sorry you are or how much it disturbs you to see us upset. Just get your white ass back into that school and leave us alone."

"Wait!" another girl screamed. "I want to hear him say how sorry he is. I want to hear it. Say it. Say it."

I tried to say something, something redemptive or purgative, but no sound came from my throat. My vocal chords were not functioning well in this crisis. A sea of voices surrounded me, washed over me, and sucked me into a great whirlpool of sound and confusion. Bodies pressed up against me. A girl dug her nails into my arm until blood was drawn. Another girl screamed into my ear that the white bastards would kill all the black people in America. Lily's voice shouted, "You white folks are happy to see Martin Luther King get shot, but you wait and see who takes his place. We gonna get mean, Conroy, and we ain't gonna take shit from no whitey. You can tell all of your friends that the days of nonviolence and prayin' for the white cat that beats you over the head is over. Man, they are gone, gone..." Then Lily wept. She stood there, almost nose to nose with me, and cried as though her soul was trying to wrench free of the prison of her body, as if all the tomorrows in the world were not worth the pain she felt right now.

But as she cried, other voices rose to fill the void of her silence. A boy pressed his mouth close to my left ear and rasped, "We are gonna burn this town down tonight. We gonna burn every white man with it." A voice behind me wailed in rhythmic cadences a strangely moving lamentation, "Oh God, why can't they leave us be? Why can't they treat us right? Why can't they love us like Jesus taught? Why do they hate us? Why do they hate black people?" More fingernails in my arm. Someone reached up and scratched my neck. I thought I felt strong fingers close about my throat, then release it suddenly. The entire mob was soon convulsed with raw, demonstrative sorrow. "Martin's dead, Martin's dead, Martin's dead," a voice cried. "The whites eat shit," said a boy. "Fuck you, Conroy," said a girl. And the bell, mercifully, rang.

At a later date I heard the black kids laughing and snickering when Lurleen Wallace died of cancer. I questioned the appropriateness of their response as compared to the response of the crackers when King died. "She was a racist," came the unanimous reply. So it was a little before Dachau that the mortar of cynicism was hardening. I was becoming convinced that the world was a colorful, variegated grab bag full of bastards.

Copyright © 1972 by Pat Conroy


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