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Tapping the Dream Tree [A Newford Series Novel] [Secure Mobipocket]
eBook by Charles de Lint

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eBook Category: Fantasy
eBook Description: A brand-new installment in the Newford saga, the World Fantasy Award-winning series of urban fantasy fiction by a master of the form. Charles de Lint's urban fantasies, including Moonheart, Forests of the Heart, and The Onion Girl, have earned him a devoted following and critical acclaim as a master of contemporary magical fiction. At the heart of his work is the ongoing Newford series, of which this is the latest volume. The city of Newford could be any contemporary North American city ... except that magic lurks in its music, in its art, in the shadows of its grittiest streets, where mythic beings walk disguised. And its people are like you and me, each looking for a bit of magic to shape their lives and transform their fate. Now, in this latest volume, we meet a bluesman hiding from the devil; a Buffalo Man at the edge of death; a murderous ghost looking for revenge; a wolf man on his first blind date; and many more. We're reunited with Jilly, Geordie, Sophie, the Crow Girls, and other characters whose lives have become part of the great Newford myth. And De Lint takes us beyond Newford's streets to the pastoral hills north of the city, where magic and music have a flavor different but powerful still.

eBook Publisher: St. Martin's Press/Tor Books/St. Martin's Press, Published: 2002
Fictionwise Release Date: November 2002


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Available eBook Formats [Secure Mobipocket - What's this?]: SECURE MOBIPOCKET FORMAT [631 KB]
All formats: Printing DISABLED, Read-aloud DISABLED
MobiPocket Reader ISBN, eReader (recommended) ISBN: 0312708882


Ten for the Devil

"Are you sure you want off here?"

"Here" was in the middle of nowhere, on a dirt county road somewhere between Tyson and Highway 14. Driving along this twisty back road, Butch Crickman's pickup hadn't passed a single house for the last mile and a half. If he kept on going, he wouldn't pass another one for at least a mile or so, except for the ruin of the old Lindy farm and that didn't count, seeing as how no one had lived there since the place burned down ten years ago.

Staley smiled. "Don't you worry yourself, Butch."

"Yeah, but -- "

Opening the passenger door, she jumped down onto the dirt, then leaned back inside to grab her fiddle case.

"This is perfect," she told him. "Really."

"I don't know. Kate's not going to be happy when she finds out I didn't take you all the way home."

Staley took a deep breath of the clean night air. On her side of the road it was all Kickaha land. She could smell the raspberry bushes choking the ditches close at hand, the weeds and scrub trees out in the field, the dark rich scent of the forest beyond it. Up above, the stars seemed so close you'd think they were leaning down to listen to her conversation with Butch. Somewhere off in the distance, she heard a long, mournful howl. Wolf. Maybe coyote.

"This is home," she said. Closing the door, she added through the window, "Thanks for the ride."

Butch hesitated a moment longer, then sighed and gave her a nod. Staley stepped back from the pickup. She waited until he'd turned the vehicle around and started back, waited until all she could see was the red glimmer of his taillights through a thinning cloud of dust, before she knelt down and took out her fiddle and bow. She slung the case over her shoulder by its strap so that it hung across her back. Hoisting the fiddle and bow up above her shoulders, she pushed her way through the raspberry bushes, moving slowly and patiently so that the thorns didn't snag on her denim overalls.

Once she got through the bushes, the field opened up before her, ghostly in the starlight. The weeds were waist high, but she liked the brush of stem and long leaf against her legs, and though the mosquitoes quickly found her, they didn't bite. She and the bugs had an understanding -- something she'd learned from her grandmother. Like her music.

The fiddle went up, under her chin. Tightening the frog on the bow, she pulled it across the strings and woke a sweet melody.

Butch and Kate Crickman owned the roadhouse back out on the highway where Staley sat in with the house band from time to time, easily falling into whatever style they were playing that night. Honky-tonk. Western swing. Old-timey. Bluegrass. The Crickmans treated her like an errant daughter, always worried about how she was doing, and she let them fuss over her some. But she played coy when it came to her living accommodations. They wouldn't understand. Most people didn't.

Home was an old trailer that used to belong to her grandmother. After Grandma died, Staley had gotten a few of the boys from up on the rez to move it from her parents' property on the outskirts of Tyson down here where it was hidden away in the deep woods. Strictly speaking, it was parked on Indian land, but the Kickaha didn't mind either it or her being here. They had some understanding with her grandmother that went way back -- Staley didn't know the details.

So it was a couple of the Creek boys and one of their cousins who transported the trailer for her that winter, hauling it in from the road on a makeshift sled across the snowy fields, then weaving in between the older growth, flattening saplings that would spring back upright by the time spring came around again. There were no trails leading to it now except for the one narrow path Staley had walked over the years, and forget about a road. Privacy was absolute. The area was too far off the beaten track for hikers or other weekend explorers, and come hunting season anyone with an ounce of sense stayed out of the rez. Those boys were partial to keeping their deer, partridge, ducks and the like to themselves, and weren't shy about explaining the way things were to trespassers.

Round about hunting season Staley closed up the trailer and headed south herself. She only summered in the deep woods. The other half of the year she was a traveling musician, a city girl, making do with what work her music could bring her, sometimes a desert girl, if she traveled far enough south.

But tonight the city and traveling was far from her mind. She drank in the tall night sky and meandered her way through the fields, fiddling herself home with a music she only played here, when she was on her own. Grandma called it a calling-on music, said it was the fiddle sending spirit tunes back into the otherworld from which it had first come. Staley didn't know from spirit music and otherworlds; she just fancied a good tune played from the heart, and if the fiddle called up anything here, it was that. Heart music.

When she got in under the trees, the music changed some, took on an older, more resonant sound, long low notes that spoke of hemlock roots growing deep in the earth, or needled boughs cathedraling between the earth and the stars. It changed again when she got near the bottle tree, harmonizing with the soft clink of the glass bottles hanging from its branches by leather thongs. Grandma taught her about the bottle tree.

"I don't rightly know that it keeps unwelcome spirits at bay," she said, "but it surely does discourage uninvited visitors."

Up in these hills everybody knew that only witches kept a bottle tree.

A little farther on Staley finally reached the meadow that held her trailer. The trailer itself was half hidden in a tangle of vines, bookended on either side by a pair of rain barrels that caught spill-off from the eaves. The grass and weeds were kept trimmed here, not quite short enough to be a lawn, but not wild like the fields along the county road.

Stepping out from under the relative darkness cast by the trees, the starlight seemed bright in contrast. Staley curtsied to the scarecrow keeping watch over her little vegetable patch, a tall, raggedy shape that sometimes seemed to dance to her music when the wind was right. She'd had it four years now, made it herself from apple boughs and old clothes. The second summer she'd noticed buds on what were supposed to be dead limbs. This spring, the boughs had actually blossomed and now bore small, tart fruit.

She stood in front of it for a long moment, tying off her tune with a complicated knot of sliding notes, and that was when she sensed the boy.

He'd made himself a nest in the underbrush that crowded close up against the north side of her clearing -- a goosey, nervous presence where none should be. Staley walked over to her trailer to lay fiddle and bow on the steps, then carefully approached the boy's hiding place. She hummed under her breath, a soothing old modal tune that had first been born somewhere deeper in the hills than this clearing. When she got to the very edge of her meadow, she eased down until she was kneeling in the grass, then peered under the bush.

"Hey, there," she said. "Nobody's going to hurt you."

Only it wasn't a boy crouching there under the bushes.

She blinked at the gangly hare her gaze found. It was under-nourished, one ear chewed up from a losing encounter with some predator, limbs trembling, big brown eyes wide with fear.

"Well, now," Staley said, sitting back on her haunches.

She studied the animal for a long moment before reaching carefully under the branches of the bush. The rabbit was too scared or worn out -- probably both -- to do much more than shake in her arms when she picked it up. Standing, she cradled the little animal against her breast.

Now what did she do with it?

It was round about then she realized that she and the rabbit weren't alone, here in the clearing. Calling-on music, she thought and looked around. Called up the rabbit, and then something else, though what, she couldn't say. All she got was the sense that it was something old. And dangerous. And it was hungry for the trembling bundle of fur and bone she held cradled in her arms.

Copyright © 2002 by Charles de Lint


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