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The Wheel Spins: Basis for The Lady Vanishes [Secure Mobipocket/Microsoft Reader/Adobe Reader 7]
eBook by Ethel White
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eBook Category: Suspense/Thriller
eBook Description: Best known as the basis for Hitchcock's classic early film, The Lady Vanishes, Ethel White's The Wheel Spins is a gripping and accomplished work in its own right. The plot is deceptively simple, and the premise-a woman meets a mysterious stranger during a long railway journey-is classic. It's easy to see why Hitchcock found this novel so compelling and so well-suited to his particular brand of filmmaking. The protagonist of the story is a young woman named Iris Carr, who suffers a blackout just before she is to board her train for a railway journey across Europe to London. It is an ominous beginning to what will be a very disturbing trip. On board, the still-woozy Iris befriends Mrs. Froy, a fellow Englishwoman who is a little eccentric, but who seems mostly agreeable and benign. Mrs. Froy is the "Vanishing Lady" of Hitchcock's title, and she mysteriously disappears while Iris is napping. Her inexplicable departure throws Iris into a mind-bending mystery that will make her alternately question her sanity and the designs of the people around her. For when she asks about the vanished Mrs. Froy, everyone on board the train adamantly denies ever having seen the old woman. Although Iris is tempted to believe that Mrs. Froy must have been merely a vivid hallucination, perhaps an aftereffect of sunstroke, a few stray, inexplicable details suggest that something much more sinister may be going on.... Gripping as the plot is, the novel's true strength is the masterful way in which White subtly builds tension and creates a brooding, ominous atmosphere that hangs over even the most ordinary scenes. She has, therefore, been compared to Edgar Allan Poe, although White also has much in common with Wilkie Collins, Patricia Highsmith and Mary Higgins Clark. Unlike traditional mystery stories or whodunits, which generally open with a crime, White's novels trade on our anticipation of a future transgression and the eventual explanation of unusual events. As a result, The Wheel Spins is charged with an electric atmosphere of expectancy that keeps the reader captivated from beginning to end.
eBook Publisher: RosettaBooks
Fictionwise Release Date: December 2002
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Available eBook Formats [Secure Mobipocket/Microsoft Reader/Adobe Reader 7 - What's this?]: SECURE MOBIPOCKET FORMAT (299 KB], SECURE MICROSOFT READER FORMAT (333 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE ADOBE READER 7 FORMAT (822 KB]
Secure Adobe Reader 7: Printing DISABLED, Read-aloud enabled Other formats: Printing DISABLED, Read-aloud DISABLED
Adobe Acrobat Reader ISBN: 0795306326 eReader (recommended) ISBN: 0795306350 MobiPocket Reader ISBN: 0795306369 Microsoft Reader ISBN: 079530630x

CHAPTER ONE WITHOUT REGRETS The day before the disaster, Iris Carr had her first premonition of danger. She was used to the protection of a crowd, whom -- with unconscious flattery -- she called "her friends." An attractive orphan of independent means, she had been surrounded always with clumps of people. They thought for her -- or rather, she accepted their opinions, and they shouted for her -- since her voice was rather too low in register, for mass social intercourse. Their constant presence tended to create the illusion that she moved in a large circle, in spite of the fact that the same faces recurred with seasonal regularity. They also made her pleasantly aware of popularity. Her photograph appeared in the pictorial papers through the medium of a photographer's offer of publicity, after the Press announcement of her engagement to one of the crowd. This was Fame. Then, shortly afterwards, her engagement was broken, by mutual consent -- which was a lawful occasion for the reproduction of another portrait. More Fame. And her mother, who died at her birth, might have wept or smiled at these pitiful nickers of human vanity, arising, like bubbles of marsh-gas, on the darkness below. When she experienced her first threat of insecurity, Iris was feeling especially well and happy after an unconventional health-holiday. With the triumph of near-pioneers, the crowd had swooped down on a beautiful village of picturesque squalor, tucked away in a remote corner of Europe, and taken possession of it by the act of scrawling their names in the visitors' book. For nearly a month they had invaded the only hotel, to the delighted demoralisation of the innkeeper and his staff. They scrambled up mountains, swam in the lake, and sunbathed on every available slope. When they were indoors, they filled the bar, shouted against the wireless, and tipped for each trifling service. The proprietor beamed at them over his choked cash-register, and the smiling waiters gave them preferential treatment, to the legitimate annoyance of the other English guests. To these six persons, Iris appeared just one of her crowd, and a typical semi-Society girl -- vain, selfish, and useless. Naturally, they had no knowledge of redeeming points -- a generosity which made her accept the bill, as a matter of course, when she lunched with her "friends," and a real compassion for such cases of hardship which were clamped down under her eyes. But while she was only vaguely conscious of fugitive moments of discontent and self-contempt, she was aware of a fastidious streak, which kept her aloof from any tendency to saturnalia. On this holiday she heard Pan's pipes, but had no experience of the kick of his hairy hind quarters. Soon the slack convention of the crowd had been relaxed. They grew brown, they drank and were merry, while matrimonial boundaries became pleasantly blurred. Surrounded by a mixed bag of vague married couples, it was a sharp shock to Iris when one of the women -- Olga -- suddenly developed a belated sense of property, and accused her of stealing a husband. Besides the unpleasantness of the scene, her sense of justice was outraged. She had merely tolerated a neglected male, who seemed a spare part in the dislocated domestic machine. It was not her fault that he had lost his head. To make matters worse, at this crisis, she failed to notice any signs of real loyalty among her friends, who had plainly enjoyed the excitement. Therefore, to ease the tension, she decided not to travel back to England with the party, but to stay on for two days longer, alone. She was still feeling sore, on the following day, when she accompanied the crowd to the little primitive railway station. They had already reacted to the prospect of a return to civilisation. They wore fashionable clothes again, and were roughly sorted into legitimate couples, as a natural sequence to the identification of suitcases and reservations. The train was going to Trieste, which was definitely on the map. It was packed with tourists, who were also going back to pavements and lamp-posts. Forgetful of hillside and starlight, the crowd responded to the general noise and bustle. It seemed to recapture its old loyalty as it clustered round Iris. "Sure you won't be bored, darling?" "Change your mind and hop on." "You've simply got to come." As the whistle was blown, they tried to pull her into their carriage -- just as she was, in shorts and nailed boots, and with a brown glaze of sunburn on her unpowdered face. She fought like a boxing-kangaroo to break free, and only succeeded in jumping down as the platform was beginning to slide past the window. Laughing and panting from the struggle, she stood and waved after the receding train, until it disappeared round the bend of the gorge. She felt almost guilty as she realised her relief at parting from her friends. But, although the holiday had been a success, she had drawn her pleasure chiefly from primeval sources -- sun, water, and mountain-breeze. Steeped in Nature, she had vaguely resented the human intrusion. They had all been together too closely and too intimately. At times, she had been conscious of jarring notes -- a woman's high thin laugh -- the tubby outline of a man's body, poised to dive -- a continual flippant appeal to "My God." It was true that while she had grown critical of her friends she had floated with the current. Like the others, she had raved of marvellous scenery, while she accepted it as a matter of course. It was a natural sequence that, when one travelled off the map, the landscape improved automatically as the standard of sanitation lapsed. At last she was alone with the mountains and the silence. Below her lay a grass-green lake, sparkling with diamond reflections of the sun. The snowy peaks of distant ranges were silhouetted against a cornflower-blue sky. On a hill rose the dark pile of an ancient castle, with its five turrets pointing upwards, like the outspread fingers of a sinister hand. Everywhere was a riot of colour. The station garden foamed with exotic flowers -- flame and yellow -- rising from spiked foliage. Higher up the slope, the small wooden hotel was painted ochre and crimson lake. Against the green wall of the gorge rose the last coil of smoke, like floating white feathers. When it had faded away, Iris felt that the last link had been severed between her and the crowd. Blowing a derisive kiss, she turned away and clattered down the steep stony path. When she reached the glacier-fed river, she lingered on the bridge, to feel the iced air which arose from the greenish-white boil. As she thought of yesterday's scene, she vowed that she never wanted to see the crowd again. They were connected with an episode which violated her idea of friendship. She had been a little fond of the woman, Olga, who had repaid her loyalty by a crude exhibition of jealousy. She shrugged away the memory. Here, under the limitless blue, people seemed so small -- their passions so paltry. They were merely incidental to the passage from the cradle to the grave. One met them and parted from them, without regrets. Every minute the gap between her and them was widening. They were steaming away, out of her life. At the thought, she thrilled with a sense of new freedom, as though her spirit were liberated by the silence and solitude. Yet, before many hours had passed, she would have bartered all the glories of Nature to have called them back again. Copyright © 1936 by Ethel Lina White
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