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SWF Seeks Same [Secure Mobipocket/Microsoft Reader/Adobe]
eBook by John Lutz
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eBook Category: Suspense/Thriller
eBook Description: When they made a movie based on John Lutz's SWF Seeks Same, they changed the title somewhat. Single White Female is the name of the now-famous 1992 film starring Bridget Fonda and Jennifer Jason Leigh, but in some ways, the original title serves the story better. The novel and film both are about sameness, about one person wanting to be the same as another, encroaching upon and, at times, actually usurping the other's identity. When Allie Jones, searching for a new roommate, places the add "SWF seeks same" in the New York Times, she has no idea how apt, and how chilling, that line will come to seem. The new roommate is Hedra, a diffident, somewhat homely woman whose deferential nature Allie imagines will be an appealing quality in a new roommate. Hedra, however, begins to wreak her havoc only after she has been invited inside. Her undisguised admiration for Allie soon begins to seem something more like idolatry, and Allie is distressed when she returns home unexpectedly one day to find Hedra trying on her clothes. But this is, of course, just the beginning. Inexplicable things begin to happen in Allie's life, including a series of obscene phone calls and an odd run-in with a strange man on the street, and it doesn't take long for her to link these occurrences to the bizarre, obsessive Hedra. Encroachment is one of this novel's most dominant themes and Lutz does a splendid job of creating an atmosphere of claustrophobic paranoia. From coincidental encounters on the street and in restaurants to all manner of intrusive phone calls to Hedra's almost constant presence in the apartment, Allie's life seems boxed in, and New York City seems surprisingly small and menacing. She feels both anonymous and specifically targeted, a feeling brought about by Hedra's actions but also reinforced throughout the book by the seemingly predatory nature of many of the people who cross Allie's path. One of the best things Lutz does in this book is to keep the intentions of the male characters inscrutable; they appear to us as they appear to Allie, and the result is that even the friendly, boyish next-door neighbor arouses our suspicions, and contributes to the air of paranoia we cannot help but breathe with her.
eBook Publisher: RosettaBooks
Fictionwise Release Date: December 2002
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Available eBook Formats [Secure Mobipocket/Microsoft Reader/Adobe - What's this?]: SECURE MOBIPOCKET FORMAT [343 KB], SECURE MICROSOFT READER FORMAT [295 KB] - Requires Microsoft Reader 2.1.1 for PCs, or Microsoft Reader 2.2.2 on Pocket PC 2002 handheld devices. Some older Pocket PCs can be upgraded. Learn More., SECURE ADOBE READER 7 FORMAT [577 KB]
Secure Adobe: Printing DISABLED, Read-aloud DISABLED Other formats: Printing DISABLED, Read-aloud DISABLED
Microsoft Reader ISBN: 079531020X Adobe Acrobat Reader ISBN: 0795310226 eReader (recommended) ISBN: 0795310250 MobiPocket Reader ISBN: 0-7953-1026-9

Chapter 1 Across West 74th Street the Cody Arms loomed like a medieval castle that had given birth to and formed the foundation of a thirty-story urban building. The lower four floors were constructed of ornate concrete and brownstone, framing a brass and tinted-glass entrance flanked by stone pillars. Spaced about ten feet apart on the first-floor ledge were leering gargoyles with chipped features that only added to their grotesqueness. They'd once been functional drains to divert rainwater from the entrance, but now a dark brown canopy served that purpose. The gargoyles didn't seem to mind; now they could concentrate full-time on leering at passersby too preoccupied to glance up and notice them. There was iron grillwork over all the windows on the ground floor -- for security. It only added to the baroque, lingering elegance of the old apartment building. In better times the Cody Arms had been the Cody Hotel. But in the Sixties business had fallen off and new owners milked profits without putting money into upkeep. The Cody had declined so far that it was impossible to reestablish its validity as a respectable hotel, so it was sold again to a faceless corporate entity that converted it into apartment units and turned it over to Haller-Davis Properties to manage. Again it was in a state of gradual decline, which was what made the rent there relatively reasonable for this part of town, though still not cheap. Allie Jones waited for a parade of cabs to growl and rattle past, then hurried across the rain-glistening street and up the old concrete steps to the entrance. She pushed through the door and crossed the tiled lobby to the elevators. There were dark smudges on the yellowed tile floor where cigarette butts had been ground out beneath heels. A faint scent of ammonia hung in the air. Apparently Gray the super, or the janitor service, had made a cursory pass at cleaning and disinfecting something, but not the graffiti on the wall by the mailboxes and intercoms. Boldly scrawled in black marking pen, as it had been for years, was the message LOVE KILS SCREW U. Allie occasionally wondered who had written it and what it meant exactly, though she had no desire to meet the author and ask. Squeezing her damp bag of groceries tighter, she leaned close to the wall between the elevator doors and pressed the Up button with her elbow. The round white button glowed feebly. Above the paneled sliding doors the ancient brass arrow that had been resting on 15 began its herky-jerky descent to the L that signified Lobby. There was no point in trying the intercom to make sure Sam would have her door unlocked when she reached the third floor. So often was it not working that tenants seldom used it, even when there was no "Out of order" sign taped beneath it. Though there were security precautions at the Cody Arms, people usually came and went as they pleased. With so many tenants, that was simply how it worked out. The street doors, on which any apartment key would work, were often locked after midnight, but just as often forgotten. The elevators were operable only with a tenant's key inserted in their panels, but as long as Allie could remember, the same twisted keys had been in the slots. Once, out of curiosity, she'd tried to remove one and found it stuck in the keyhole as if welded there. The groceries got heavy, and Allie shifted them to her other arm just as the elevator arrived. It squeaked and groaned as it adjusted itself to floor level. The doors hissed open and an elderly man and a middle-aged redheaded woman stepped out. They didn't seem to be together and didn't look at each other or at Allie as they crossed the lobby toward the street door. Allie listened to the beat of their heels on the tile floor as the man moved ahead of the woman. He didn't bother holding the door open for her. Neighbors. They probably hadn't so much as glanced at each other in the elevator. New York was a city of strangers. The Cody was a building of strangers. That had its advantages. Such as making possible secret live-in lovers. Secret was the operative word. On the third floor, she walked down the narrow, musty-smelling hall to apartment 3H. She balanced the grocery sack on her outthrust hip while she fumbled her key from her purse and unlocked the door. Shifting her weight, she shoved the door open. "Sam? Me!" But the answering silence and stale, unmoving air told her she was alone. Copyright © 1990 by John Lutz
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