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NO LONGER ON SALE
Classic Ghost Stories: Widdershins [MultiFormat]
eBook by Oliver Onions & G. W. Thomas

  Regular     Club
You Pay:  $4.99     $4.24

eBook Category: Horror/Classic Literature
eBook Description: Oliver Onions first and best collection of ghost stories including the often anthologized "The Beckoning Fair One". Also includes "Phantas", "Rooum", "Benlian", "Io", "The accident", "The Cigarette Case", "The Rocker" and "Hic Jacet: A Tale of Artistic Conscience". Onions background as an artist is evident through his stories. With an introduction by G. W. Thomas.

eBook Publisher: TIME m a c h i n e Books, Published: 1911, 2006
Fictionwise Release Date: August 2006


Available eBook Formats [MultiFormat - What's this?]: eReader (PDB) [257 KB] , ePub (EPUB) [264 KB] , Rocket/REB1100 (RB) [225 KB] , Adobe Acrobat (PDF) [1.2 MB] , Palm Doc (PDB) [254 KB] , Microsoft Reader (LIT) [215 KB] , Franklin eBookMan (FUB) [271 KB] , hiebook (KML) [570 KB] , Sony Reader (LRF) [312 KB] , iSilo (PDB) [212 KB] , Mobipocket (PRC) [261 KB] , Kindle Compatible (MOBI) [38 KB] , OEBFF Format (IMP) [337 KB]
Words: 78855
Reading time: 225-315 min.
Microsoft Reader (LIT) Format: Printing DISABLED, Read-Aloud ENABLED
Adobe Acrobat (PDF) Format:  Printing DISABLED, Read-Aloud DISABLED
All Other formats: Printing DISABLED, Read-aloud DISABLED
ISBN: 1897084102


INTRODUCTION

This book is the first in a series of original collections of ghost stories and horror tales I want to present. The text of the book has not been altered but is complete just as if you had picked it up in a rare book shop.

Oliver Onions (1872-1961) began his working life as an artist doing posters and commercial work like magazine illustrations. This background is evident in protagonists like Oleron in his most famous story, "The Beckoning Fair One. Widdershins (1911) was his first collection, followed by four more in his lifetime. Onions wrote Mystery and historical fiction, even a Science Fiction novel, New Moon (1918) but it is for his ghost stories that he is remembered. About this time he changed his name to George Oliver but always wrote as Oliver Onions.

Unlike contemporaries like Algernon Blackwood, Arthur Machen or A. Conan Doyle, Onions was not a believer in the supernatural. It shouldn't be surprising that his tales are highly psychological, making the reader wonder if they are even supernatural at all, like Henry James' masterpiece, "The Turn of the Screw". At the end of "Rooum" he asks: "What do you make of it?", challenging the reader to decide.

Unlike James, Onions follows the story after the supernatural events to show what effect these strange encounters have, how the mind degenerates under the strain. Some critics of the ghost story claim only "believers" can write convincing and terrifying stories. Onions proves this theory for the nonsense it is. Believers like Blackwood often fill their stories with too much of the jargon of spiritualists. The rationalist school can sometimes over-explain or psycho-analysis the fun out of their stories. Onions does neither and the result is classic horror fiction.

G. W. Thomas

* * * *

"From Ghaisttes, Ghoulies and long-leggity Beasties and Things that go Bump in the night--"Good Lord, deliver us!"

AUTHOR'S NOTE

I have pleasure in acknowledging the courtesy of the proprietors of "Shurey's Publications" by whose permission "The Cigarette Case" is included in the present volume. Also it has been suggested that a definition should be given of the word that forms the volume's title. That word means "contrary to the course of the Sun."

O.O.

* * * *

THE BECKONING FAIR ONE

CHAPTER ONE

The three or four "To Let" boards had stood within the low paling as long as the inhabitants of the little triangular "Square" could remember, and if they had ever been vertical it was a very long time ago. They now overhung the palings each at its own angle, and resembled nothing so much as a row of wooden choppers, ever in the act of falling upon some passer-by, yet never cutting off a tenant for the old house from the stream of his fellows. Not that there was ever any great "stream" through the square; the stream passed a furlong and more away, beyond the intricacy of tenements and alleys and byways that had sprung up since the old house had been built, hemming it in completely; and probably the house itself was only suffered to stand pending the falling-in of a lease or two, when doubtless a clearance would be made of the whole neighbourhood.

It was of bloomy old red brick, and built into its walls were the crowns and clasped hands and other insignia of insurance companies long since defunct. The children of the secluded square had swung upon the low gate at the end of the entrance-alley until little more than the solid top bar of it remained, and the alley itself ran past boarded basement windows on which tramps had chalked their cryptic marks. The path was washed and worn uneven by the spilling of water from the eaves of the encroaching next house, and cats and dogs had made the approach their own. The chances of a tenant did not seem such as to warrant the keeping of the "To Let" boards in a state of legibility and repair, and as a matter of fact they were not so kept.

For six months Oleron had passed the old place twice a day or oftener, on his way from his lodgings to the room, ten minutes' walk away, he had taken to work in; and for six months no hatchet-like notice-board had fallen across his path. This might have been due to the fact that he usually took the other side of the square. But he chanced one morning to take the side that ran past the broken gate and the rain-worn entrance alley, and to pause before one of the inclined boards. The board bore, besides the agent's name, the announcement, written apparently about the time of Oleron's own early youth, that the key was to be had at Number Six.

Now Oleron was already paying, for his separate bedroom and workroom, more than an author who, without private means, habitually disregards his public, can afford; and he was paying in addition a small rent for the storage of the greater part of his grandmother's furniture. Moreover, it invariably happened that the book he wished to read in bed was at his working-quarters half a mile and more away, while the note or letter he had sudden need of during the day was as likely as not to be in the pocket of another coat hanging behind his bedroom door. And there were other inconveniences in having a divided domicile. Therefore Oleron, brought suddenly up by the hatchet-like notice-board, looked first down through some scanty privet-bushes at the boarded basement windows, then up at the blank and grimy windows of the first floor, and so up to the second floor and the flat stone coping of the leads. He stood for a minute thumbing his lean and shaven jaw; then, with another glance at the board, he walked slowly across the square to Number Six.

He knocked, and waited for two or three minutes, but, although the door stood open, received no answer. He was knocking again when a long-nosed man in shirt-sleeves appeared.

"I was arsking a blessing on our food," he said in severe explanation.

Oleron asked if he might have the key of the old house; and the long-nosed man withdrew again.

Oleron waited for another five minutes on the step; then the man, appearing again and masticating some of the food of which he had spoken, announced that the key was lost.

"But you won't want it," he said. "The entrance door isn't closed, and a push'll open any of the others. I'm a agent for it, if you're thinking of taking it--"

Oleron recrossed the square, descended the two steps at the broken gate, passed along the alley, and turned in at the old wide doorway. To the right, immediately within the door, steps descended to the roomy cellars, and the staircase before him had a carved rail, and was broad and handsome and filthy. Oleron ascended it, avoiding contact with the rail and wall, and stopped at the first landing. A door facing him had been boarded up, but he pushed at that on his right hand, and an insecure bolt or staple yielded. He entered the empty first floor.

He spent a quarter of an hour in the place, and then came out again. Without mounting higher, he descended and recrossed the square to the house of the man who had lost the key.

"Can you tell me how much the rent is?" he asked.

The man mentioned a figure, the comparative lowness of which seemed accounted for by the character of the neighbourhood and the abominable state of unrepair of the place.

"Would it be possible to rent a single floor?"

The long-nosed man did not know; they might....

"Who are they?"

The man gave Oleron the name of a firm of lawyers in Lincoln's Inn.

"You might mention my name--Barrett," he added.

Pressure of work prevented Oleron from going down to Lincoln's Inn that afternoon, but he went on the morrow, and was instantly offered the whole house as a purchase for fifty pounds down, the remainder of the purchase-money to remain on mortgage. It took him half an hour to disabuse the lawyer's mind of the idea that he wished anything more of the place than to rent a single floor of it. This made certain hums and haws of a difference, and the lawyer was by no means certain that it lay within his power to do as Oleron suggested; but it was finally extracted from him that, provided the notice-boards were allowed to remain up, and that, provided it was agreed that in the event of the whole house letting, the arrangement should terminate automatically without further notice, something might be done. That the old place should suddenly let over his head seemed to Oleron the slightest of risks to take, and he promised a decision within a week. On the morrow he visited the house again, went through it from top to bottom, and then went home to his lodgings to take a bath.

He was immensely taken with that portion of the house he had already determined should be his own. Scraped clean and repainted, and with that old furniture of Oleron's grandmother's, it ought to be entirely charming. He went to the storage warehouse to refresh his memory of his half-forgotten belongings, and to take measurements; and thence he went to a decorator's. He was very busy with his regular work, and could have wished that the notice-board had caught his attention either a few months earlier or else later in the year; but the quickest way would be to suspend work entirely until after his removal....

A fortnight later his first floor was painted throughout in a tender, elder-flower white, the paint was dry, and Oleron was in the middle of his installation. He was animated, delighted; and he rubbed his hands as he polished and made disposals of his grandmother's effects--the tall lattice-paned china cupboard with its Derby and Mason and Spode, the large folding Sheraton table, the long, low bookshelves (he had had two of them "copied"), the chairs, the Sheffield candlesticks, the riveted rose-bowls. These things he set against his newly painted elder-white walls--walls of wood panelled in the happiest proportions, and moulded and coffered to the low-seated window-recesses in a mood of gaiety and rest that the builders of rooms no longer know. The ceilings were lofty, and faintly painted with an old pattern of stars; even the tapering mouldings of his iron fireplace were as delicately designed as jewellery; and Oleron walked about rubbing his hands, frequently stopping for the mere pleasure of the glimpses from white room to white room....

"Charming, charming!" he said to himself. "I wonder what Elsie Bengough will think of this!"

He bought a bolt and a Yale lock for his door, and shut off his quarters from the rest of the house. If he now wanted to read in bed, his book could be had for stepping into the next room. All the time, he thought how exceedingly lucky he was to get the place. He put up a hat-rack in the little square hall, and hung up his hats and caps and coats; and passers through the small triangular square late at night, looking up over the little serried row of wooden "To Let" hatchets, could see the light within Oleron's red blinds, or else the sudden darkening of one blind and the illumination of another, as Oleron, candlestick in hand, passed from room to room, making final settlings of his furniture, or preparing to resume the work that his removal had interrupted.


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