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Flow My Tears, the Policeman Said [Secure Mobipocket/eReader (recommended)]
eBook by Philip K. Dick

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eBook Category: Science Fiction/Science Fiction
eBook Description: On October 11 the television star Jason Taverner is so famous that 30 million viewers eagerly watch his prime-time show. On October 12 Jason Taverner is not a has-been but a never-was--a man who has lost not only his audience but all proof of his existence. And in the claustrophobic betrayal state of Flow My Tears, the Policeman Said, loss of proof is synonymous with loss of life. Taverner races to solve the riddle of his disappearance", immerses us in a horribly plausible Philip K. Dick United States in which everyone--from a waiflike forger of identity cards to a surgically altered pleasure--informs on everyone else, a world in which omniscient police have something to hide. His bleakly beautiful novel bores into the deepest bedrock self and plants a stick of dynamite at its center.

eBook Publisher: Random House, Inc./Knopf
Fictionwise Release Date: March 2005


37 Reader Ratings:
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Available eBook Formats [Secure Mobipocket/eReader (recommended) - What's this?]: SECURE MOBIPOCKET FORMAT [300 KB], SECURE EREADER (RECOMMENDED) FORMAT [180 KB], OEBFF Format (IMP) [355 KB]
All formats: Printing DISABLED, Read-aloud DISABLED
Microsoft Reader ISBN: 9781400095759
Adobe Reader ISBN: 9781400095759
Mobipocket Reader ISBN: 9781400095759
eReader ISBN: 9781400095759

GEOGRAPHIC RESTRICTIONS: Available to customers in: US, CA  What's this?


"Dick [was] many authors: a poor man's Pynchon, an oracular postmodern, a rich product of the changing counterculture" -- Village Voice


1

On Tuesday, October 11, 1988, the Jason Taverner Show ran thirty seconds short. A technician, watching through the plastic bubble of the control dome, froze the final credit on the video section, then pointed to Jason Taverner, who had started to leave the stage. The technician tapped his wrist, pointed to his mouth.

Into the boom mike Jason said smoothly, "Keep all those cards and V-letters coming in, folks. And stay tuned now for The Adventures of Scotty, Dog Extraordinary."

The technician smiled; Jason smiled back, and then both the audio and the video clicked off. Their hour-long music and variety program, which held the second highest rating among the year's best TV shows, had come to an end. And it had all gone well.

"Where'd we lose half a minute?" Jason said to his special guest star of the evening, Heather Hart. It puzzled him. He liked to time his own shows.

Heather Hart said, "Baby bunting, it's all right." She put her cool hand across his slightly moist forehead, rubbed the perimeter of his sand-colored hair affectionately.

"Do you realize what power you have?" Al Bliss, their business agent, said to Jason, coming up close—too close as always—to him. "Thirty million people saw you zip up your fly tonight. That's a record of sorts."

"I zip up my fly every week," Jason said. "It's my trademark. Or don't you catch the show?"

"But thirty million," Bliss said, his round, florid face spotted with drops of perspiration. "Think of it. And then there's the residuals."

Jason said crisply, "I'll be dead before the residuals on this show pay off. Thank God."

"You'll probably be dead tonight," Heather said, "with all those fans of yours packed in outside there. Just waiting to rip you into little tiny squares like so many postage stamps."

"Some of them are your fans, Miss Hart," Al Bliss said, in his doglike panting voice.

"God damn them," Heather said harshly. "Why don't they go away? Aren't they breaking some law, loitering or something?"

Jason took hold of her hand and squeezed it forcefully, attracting her frowning attention. He had never understood her dislike for fans; to him they were the lifeblood of his public existence. And to him his public existence, his role as worldwide entertainer, was existence itself, period. "You shouldn't be an entertainer," he said to Heather, "feeling the way you do. Get out of the business. Become a social worker in a forced-labor camp."

"There're people there, too," Heather said grimly.

Two special police guards shouldered their way up to Jason Taverner and Heather. "We've got the corridor as clear as we're going to get it," the fatter of the two cops wheezed. "Let's go now, Mr. Taverner. Before the studio audience can trickle around to the side exits." He signaled to three other special police guards, who at once advanced toward the hot, packed passageway that led, eventually, to the nocturnal street. And out there the parked Rolls flyship in all its costly splendor, its tail rocket idling throbbingly. Like, Jason thought, a mechanical heart. A heart that beat for him alone, for him the star. Well, by extension, it throbbed in response to the needs of Heather, too.

She deserved it: she had sung well, tonight. Almost as well as—Jason grinned inwardly, to himself. Hell, let's face it, he thought. They don't turn on all those 3-D color TV sets to see the special guest star. There are a thousand special guest stars scattered over the surface of earth, and a few in the Martian colonies.

They turn on, he thought, to see me. And I am always there. Jason Taverner has never and will never disappoint his fans. However Heather may feel about hers.

"You don't like them," Jason said as they squirmed and pushed and ducked their way down the steaming, sweat-smelling corridor, "because you don't like yourself. You secretly think they have bad taste."

"They're dumb," Heather grunted, and cursed quietly as her flat, large hat flopped from her head and disappeared forever within the whale's belly of close-pressing fans.

"They're ordinaries," Jason said, his lips at her ear, partly lost as it was in her great tangle of shiny red hair. The famous cascade of hair so widely and expertly copied in beauty salons throughout Terra.

Heather grated, "Don't say that word."

"They're ordinaries," Jason said, "and they're morons. Because"—he nipped the lobe of her ear—"because that's what it means to be an ordinary. Right?"

She sighed. "Oh, God, to be in the flyship cruising through the void. That's what I long for: an infinite void. With no human voices, no human smells, no human jaws masticating plastic chewing gum in nine iridescent colors."

Copyright © 1974 by Philip K. Dick


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