He sat perfectly still in front of the television set in room 932 of the Biltmore Hotel. The alarm had gone off at six but he was awake long before that. The wind, cold and forbidding, rattled the windowpanes and that had been enough to pull him out of the uneasy sleep.

The Today show came on but he didn't adjust the barely audible sound. He didn't care about the news or the special reports. He just wanted to see the interview.

Shifting in the stiff-backed chair, he crossed and uncrossed his legs. He'd already showered and shaved and put on the green polyester suit he'd worn when he'd checked in the night before. The realization that the day had come at last made his hand tremble and he'd nicked his lip when he shaved. It bled a little and the salty taste of blood in his mouth made him gag.

He hated blood.

Last night at the desk in the lobby, he'd seen the clerk's eyes sliding over his clothes. He'd carried his coat under his arm because he knew it looked shabby. But the suit was new; he'd saved up for it. Still the clerk looked at him like he was dirt and asked if he had a reservation.

He'd never checked into a real hotel before but knew how to do it. "Yes, I have a reservation." He said it very coldly and for a minute the clerk looked uncertain but when he didn't have a credit card and offered to pay cash in advance, the sneer was back. "I will check out Wednesday morning," he told the clerk.

The room cost one hundred forty dollars for the three nights. That meant he only had thirty dollars left. But that would be plenty for these few days and by Wednesday he'd have eighty-two thousand dollars.

Her face floated across his mind. He blinked to force it away. Because just as always the eyes came after it; the eyes like great lamps that followed him, that were always watching him, that never closed.

He wished he had another cup of coffee. He'd sent for room service, reading the instructions how to call for it very carefully. He'd had a large pot of coffee and there'd been a little left but he'd already washed the cup and saucer and orange juice glass and rinsed out the coffeepot before putting the tray on the floor in the hall.

A commercial was just ending. Suddenly interested he leaned forward to get nearer to the set. The interview should be next. It was. He twisted the volume knob to the right.

The familiar face of Tom Brokaw, the Today anchorman, filled the screen. Unsmiling, his voice subdued, he began to speak. "The restoration of capital punishment has become the most emotional and divisive issue in this country since the Vietnamese War. In just fifty-two hours, at eleven-thirty A.M. on March 24th, the sixth execution this year will take place when nineteen-year-old Ronald Thompson dies in the electric chair. My guests ..."

The camera dollied back to include the two people seated on either side of Tom Brokaw. The man to his right was in his early thirties. His sandy hair was streaked with gray and somewhat disheveled. His hands were together, fingers spread apart and pointing upward. His chin rested on the fingertips, giving him a prayerful stance that was accentuated by dark eyebrows arcing over winter-blue eyes.

The young woman on the other side of the interviewer sat stiffly erect. Her hair, the color of warm honey, was pulled back in a soft chignon. Her hands were knotted into fists in her lap. She moistened her lips and pushed back a strand of hair from her forehead.

Tom Brokaw said, "On their previous appearance here, six months ago, our guests made a very strong case supporting their views on capital punishment. Sharon Martin, syndicated columnist, is also the author of the best-selling book, The Crime of Capital Punishment. Steven Peterson, the editor of Events magazine, is one of the most articulate voices in the media to urge restoration of capital punishment in this country."

His tone became brisk. He turned to Steve. "Let's start with you, Mr. Peterson. After having witnessed the emotional public reaction to the executions that have already taken place, do you still believe that your position is justified?"

Steve leaned forward. When he answered, his voice was calm. "Absolutely," he said quietly.

The interviewer turned to his other guest. "Sharon Martin, what do you think?"

Sharon shifted slightly in her chair to face her interrogator. She was achingly tired. In the last month she'd worked twenty hours a day, contacting prominent people-- senators, congressmen, judges, humanitarians, speaking at colleges, at women's clubs, urging everyone to write and wire the Connecticut governor and protest Ronald Thompson's execution. The response had been enormous, overwhelming. She had been so sure that Governor Greene would reconsider. She found herself groping for words.

"I think," she said, "I believe that we, our country, has taken a giant step backwards into the Dark Ages." She held up the newspapers at her side. "Just look at this morning's headlines. Analyze them! They're bloodthirsty." Quickly, she leafed through them. "This one ... listen ... Connecticut Tests Electric Chair, and this ... 19-Year-Old Dies Wednesday, and this, Doomed Killer Protests Innocence. They're all like that, sensational, savage!" She bit her lip as her voice broke.

Steve glanced at her swiftly. They'd just been told that the Governor was calling a press conference to announce her absolute refusal to grant Thompson another stay of execution. The news had devastated Sharon. It would be a miracle if she didn't get sick after this. They never should have agreed to come on this show today. The Governor's decision made Sharon's appearance pointless, and God knows Steve didn't want to be here. But he had to say something.

"I think every decent human being deplores sensationalism and the need for the death penalty," he said. "But remember it has been applied only after exhaustive consideration of extenuating circumstances. There is no mandatory death sentence."

"Do you believe that the circumstances in Ronald Thompson's case, the fact that he committed the murder only days after his seventeenth birthday, making him barely eligible for adult punishment, should have been considered?" Brokaw asked quickly.

Steve said, "As you know, I will not comment specifically on the Thompson case. It would be entirely inappropriate."

"I understand your concern, Mr. Peterson," the interviewer said, "but you had taken your position on this issue several years before ... " He paused, then continued quietly, "before Ronald Thompson murdered your wife."

Ronald Thompson murdered your wife. The starkness of the words still surprised Steve. After two and a half years, he could still feel the sense of shock and outrage that Nina had died that way, her life snuffed out by the intruder who came into their home, by the hands that had relentlessly twisted her scarf around her throat.

Trying to blot the image from his mind, he looked directly ahead. "At one time, I had hoped that the ban on executions in our country might become a permanent one. But as you point out, long before the tragedy in my own family, I had come to the conclusion that if we were to preserve the most fundamental right of human beings ... freedom to come and go without fear, freedom to feel sanctuary in our homes, we had to stop the perpetrators of violence. Unfortunately the only way to stop potential murderers seems to be to threaten them with the same harsh judgment they mete out to their victims. And since the first execution was carried out two years ago, the number of murders has dropped dramatically in major cities across the country."

Sharon leaned forward. "You make it sound so reasonable," she cried. "Don't you realize that forty-five percent of murders are committed by people under twenty-five years of age, many of whom have tragic family backgrounds and a history of instability?"

The solitary viewer in Biltmore's room 932 took his eyes from Steve Peterson and studied the girl thoughtfully. This was the writer Steve was getting serious about. She wasn't at all like his wife. She was obviously taller and had the slender body of someone who might be athletic. His wife had been small and doll-like with rounded breasts and jet black hair that curled around her forehead and ears when she turned her head.

Sharon Martin's eyes reminded him of the color of the ocean that day he'd driven down to the beach last summer. He'd heard that Jones Beach was a good place to meet girls but it hadn't worked out.

The one he'd started to fool with in the water had called "Bob!" and a minute later this guy had been beside him, asking what his problem was. So he'd moved his blanket and just stared out at the ocean, watching the changing colors. Green. That was it. Green mixed with blue and churning. He liked eyes that color.

What was Steve saying? Oh yes, he'd said something about feeling sorry for the victims, not their murderers, "for people incapable of defending themselves."

"My sympathies are with them too," Sharon cried. "But it's not either/or. Don't you see that life imprisonment would be punishment enough for the Ronald Thompsons of this world?" She forgot Tom Brokaw, forgot the television cameras as once again she tried to convince Steve. "How can you ... who are so compassionate ... who value life so much ... want to play God?" she asked. "How can anyone presume to play God?"

It was an argument that began and ended the same way as it had that first time six months ago when they'd met on this program. Finally Tom Brokaw said, "Our time is running out. Can we sum up by saying that notwithstanding the public demonstrations, prison riots and student rallys that are regularly occurring all over the country, you still believe, Mr. Peterson, that the sharp drop in random murder justifies execution?"

"I believe in the moral right ... the duty ... of society to protect itself, and of the government to protect the sacred liberty of its citizens," Steve said.

"Sharon Martin?" Brokaw turned quickly to her.

"I believe that the death penalty is senseless and brutalizing. I believe that we can make the home and streets safe by removing violent offenders and punishing them with swift, sure sentences, by voting for the bond issues that will build the necessary correctional institutions and will pay the people who staff them. I believe that it is our reverence for life, all life, that is the final test of us as individuals and as a society."

Tom Brokaw said hurriedly, "Sharon Martin, Steven Peterson, thank you for being with us on Today. I'll be back after this message ..."

The television set in room 932 of the Biltmore was snapped off. For a long time the muscular, thick-chested man in the green-plaid suit sat staring straight ahead at the darkened screen. Once again he reviewed his plan, the plan that began with putting the pictures and the suitcase in the secret room in Grand Central Station and would end with bringing Steve Peterson's son Neil there tonight. But now he had to decide. Sharon Martin was going to be at Steve's house this evening. She would be minding Neil until Steve got home.

He'd planned simply to eliminate her there.

But should he? She was so beautiful.

He thought of those eyes, the color of the ocean, churning, caring.

It seemed to him that when she looked directly into the camera she had been looking at him.

It seemed as though she wanted him to come for her.

Maybe she loved him.

If she didn't it would be easy to get rid of her.

He'd just leave her in the room in Grand Central with the child on Wednesday morning.

Then at 11:30 when the bomb went off, she, too, would be blown to bits.